Showing posts with label Patricia Breslin. Show all posts
Showing posts with label Patricia Breslin. Show all posts

Thursday, August 5, 2021

The Donna Reed Show (1962)

 

Though Donna Reed originated her eponymous TV series with the intention of providing an antidote to male-centered sit-coms and oversexed or wacky female-based series (an obvious dig at I Love Lucy), by Season 4 the demands of being the sane multi-tasking mother for 39 episodes per season were beginning to drain her. A July 21, 1962 cover story in TV Guide mentions that stories began to circulate in the trade papers during the winter of 1961-62 that Reed was tired and did not wish to continue her series into a fifth season. But the TV Guide story casts these reports as merely a bargaining ploy by Reed and her husband Tony Owen, who was also the show's producer, to get a more favorable contract for Season 5, which they were able to achieve. The terms of the new contract included, besides a bump in salary and a larger share of proceeds to Reed & Owen's production company, a reduction in the number of episodes from 39 to 34 and rearrangement of the shooting schedule so that Reed would not be required for the first and last scene in each episode. The article also casts Owen as a stereotypical wheeler-dealer who was already laying the foundation for the next contract negotiation by quoting him as betting that Reed would not agree to a sixth season even if it included reducing her episodes to 26, focusing the show more on the children, and limiting her shooting schedule to 10 weeks, similar to the deal Fred MacMurray had on My Three Sons. Hindsight shows us that after Season 5 Reed again considered ending the series, reportedly expressing an opinion that the writers had run out of fresh ideas and wanting to spend more time with her family, but somehow she and Owen agreed to another 3-year contract before finally calling it quits in 1966, again citing that she was tired of the production requirements.

But these concessions were already being implemented as early as the Season 4 episodes that aired in 1962: the show was morphing into The Paul Petersen Show as a sizable number of plots revolved around Jeff Stone and his misadventures, a misstep for the series because the Jeff character is the most obnoxious and least likable of the family Stone. Several others center on Alex and Mary, respectively, and the only ones where Donna is in the center of the action are "Donna's Prima Donna" (February 1, 1962), which she shares with Mary, "Free Flight" (March 1, 1962) in which she "wins" a free flight on a disorganized airline after complaining when Alex is delayed in returning from a medical conference, "The Fortune Teller" (April 19, 1962) in which she begins to believe she has ESP after playing a fortune teller at a charity bazaar, "The Caravan" (May 10, 1962) in which she provides uncharacteristic voice-over narration on a family vacation out west in a motor home, and the season-ending "Dear Wife" (June 14, 1962), which she shares with Alex and Mary. That makes 5 episodes out of 23, hardly making her the center of the series. Perhaps to double down on their threat to CBS to end the series, Reed and Owen's production company inserted a "back-door" pilot for a new series--"The Wide Open Spaces" (March 8, 1962) late in Season 4 as a potential replacement for The Donna Reed Show. The episode portrays former Hilldale tax accountant David Adams (played by William Windom), his wife Millie (Patricia Breslin) and their two sons Steve and Les (real-life brothers Steven and Leslie Barringer) as having moved to the country to run a farm, with the Stones paying them a visit to see how things are going. The plot is a warmed-over adaptation of the city folk trying to adjust to country life theme already covered in the 1947 feature film The Egg and I with Fred MacMurray and Claudette Colbert and one that would be handled much more comically in Paul Henning's Green Acres a few years later. The Donna Reed version of the trope  has the potential tragedy of an old workhorse almost dying but then being magically resurrected by the capitalist credo that unless you're working, you're dead.

Another late Season 4 episode attempted to launch a new series for singer Roberta Sherwood in "Donna Meets Roberta" (May 3, 1962). Despite the episode's title suggesting Donna in the starring role, the action centers around Alex planning to buy singer Roberta Summers' dilapidated house after getting a tip that a shopping center is going to be built across the street, which will greatly increase the property's value. Donna's role is to passive-aggressively get Alex to let Roberta in on the secret rather than taking advantage of her ignorance for his financial gain. The episode also includes Sherwood's three sons from her marriage to Don Lanning, and once the story depicted in the episode is concluded, viewers are given an introduction to the new series by Sherwood along with some already-filmed scenes to give viewers a taste for the kind of action they can expect once the series airs in its own slot. Only the series was never picked up, but Sherwood's son Jerry Lanning, who had already been featured in the February 28, 1962 episode of The Dick Van Dyke Show, got a return engagement on The Donna Reed Show in the Season 5 episode "Big Star" (November 15, 1962) playing Mary's shy boyfriend, whom she is determined to push into a singing career.

Speaking of being pushed into a singing career, this was another of Tony Owen's schemes to turn The Donna Reed Show into a cash register for his and Reed's production company Todon in 1962. According to an interview Shelley Fabares gave to former major league baseball player Jerry Reuss that is documented on his web site, Owen noticed that ratings for The Adventures of Ozzie and Harriet shot up for episodes in which teen heart-throb Ricky Nelson sang a song. So Owen decided to do the same with his two teen actors Paul Petersen and Fabares. Petersen jumped at the idea, having sung before as a Mousketeer and admiring all the attention, particularly from young women, that Nelson was garnering. But Fabares knew she couldn't sing and resisted the plan until Owen threatened to boot her off the show, which finally got her to buckle under. Petersen's first single, "She Can't Find Her Keys," was aired in the episode "For Angie, With Love" (January 18, 1962) in a dream sequence in which he imagines himself a pop star to compete against a richer boy for the affection of his girlfriend Angie. Petersen's recording, a gimmicky novelty song that is painfully corny, reached #19 on the pop charts but was soon eclipsed by Fabares's first single "Johnny Angel" which she is shown performing in the episode "Donna's Prima Donna." To make up for Fabares' vocal deficiencies Owen selected a song co-written by Lee Pockriss, who had co-written Brian Hyland's "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini with another collaborator, and backed her with a lush studio arrangement performed by famed session team The Wrecking Crew, double-tracked her vocal, and surrounded it with Phil Spector's backing vocalists The Blossoms. The song shot to #1 on the charts, but Fabares notes that when a representative from The Ed Sullivan Show called her house to schedule an appearance on Sullivan's show, Fabares' mother told them she couldn't sing it live because it had been spliced together from 15 takes with The Blossoms even handling certain lines that Fabares couldn't pull off. To juice record sales without having the songs resung on multiple episodes, Owen found ways to subliminally keep the songs in viewers' minds by having a malt shop jukebox play snippets of both recordings in the episode "The Swingin' Set" (May 17, 1962). Another snippet of "Johnny Angel" is snuck into the Season 5 opening episode "Mister Nice Guy" (September 20, 1962) when Jeff returns Mary's transistor radio after having repaired it and then turns it on to show her that it is now working.

Despite Fabares' greater chart success, she doesn't sing again in an episode until Season 6's "Big Star," which was actually the B-side of her fourth single and didn't even crack the top 100 on the charts. Her follow-up to "Johnny Angel," "Johnny Loves Me," by contrast, reached #21 on the charts without a television appearance. Petersen, on the other hand, sings his second single, "Keep Your Love Locked" written by Carole King and Gerry Goffin, in the Season 5 episode "The Swingin' Set," but it only reached #58 on the pop charts. His third single, "Lollipops and Roses," was a hit for Jack Jones but not for Petersen, who took it to only #54. His next single, though, would be his lone top 10 hit, "My Dad," a maudlin sentimental number featured in the Season 6 episode of the same name, reaching #6 on the charts. Though both actors would continue to record several more singles, with Fabares continuing sporadically until 1966 and Petersen until 1968, neither would again match the success they found in 1962. Owen perhaps failed to maximize the exposure television provided by weaving their performances into the plots of various episodes rather than following the Nelson model of having the performance tacked on to the end of the episode after the plot had ended. Also, with two singers rather than one, he risked overusing the gimmick had he embedded all their singles into the program. Still, he seemed to achieve his desired outcome--generating additional revenue for Todon Productions, which was the game all along according to the previously cited TV Guide article.

While her husband was trying to gin up new revenue streams by copying other series like Ozzie and Harriet with record sales and pilots for new series, Reed tried to differentiate her show from all the others. In an interview for the October 14, 1962 issue of the Chicago American Sunday TV Roundup, she rejected the term sit-com in describing her series: "I hate the term. To me, the phrase 'situation comedy' conjures up inane plots, blundering TV husbands, and overbearing TV wives. It's everything we try to avoid on our show." However, in describing the upcoming Season 6 episode "Rebel With a Cause" (November 8, 1962), the article notes that Donna's character "disguises herself as a hotel chambermaid and gets chased through the lobby in a zany series of misadventures," exactly the sort of "inane plot" Reed had just railed about in the interview. And there's more where that came from. How about belching, erratically steering tin lizzy autos, a la The Keystone Cops? We get those both in "Dr. Stone and His Horseless Carriage" (January 11, 1962) and "The Baby Buggy" (November 29, 1962). We also get a runaway tractor with Alex aboard in "The Wide Open Space" and Alex careening around a parking lot in an undersized go-kart in "Hilldale 500 (March 29, 1962). We may not get an overbearing TV wife (in fact, Reed cannot convincingly even pull off being angry at Jeff in "On to Fairview" [May 24, 1962]), but we are treated to an overbearing daughter when Mary forces boyfriend Clay Shannon into a singing career in "Big Star" and having not learned her lesson three weeks later attempts to transform her uncouth boyfriend into the picture of refinement in "The Makeover Man" (December 6, 1962). And while Alex may not blunder as spectacularly as Ozzie Nelson, he does run into constant problems trying to restore an old car in the aforementioned "Dr. Stone and His Horseless Carriage," gets his pajamas stuck in the zipper of his sleeping bag in "The Caravan," and is unable to make his clients pay their overdue bills after chiding Jeff for loaning money to friends but being unable to collect in "The Soft Touch" (December 20, 1962). It's no wonder Reed hates the term "sit-com" because it fits her show to a T just like it does many other undistinguished TV comedies of the era.

However, the one area where The Donna Reed Show distinguished itself was in its depiction of the mother-daughter relationship between Donna and Mary Stone. Granted, there are many episodes where this relationship is one-dimensional, but occasionally, when the program stops trying to be humorous, it handles the theme with depth and sensitivity. The episode "Donna's Prima Donna" may be a glorified setup for Shelley Fabares to sing "Johnny Angel," but it also depicts a mother trying to carefully steer her short-sighted daughter between what is best for her long-term happiness and not abandoning her passion in the pursuit of practicality. The episode is driven by Mary's sudden decision not to attend college in order to pursue a singing career, while Donna desperately wants her to experience the same joys she had at the local college. Recognizing that merely reasoning with her will only meet resistance, Donna tries to gently expose Mary to some of the pitfalls of a music career--long bus rides with rambunctious musicians--that she may not have considered. She even goes to unlikely lengths to get Mary on campus for mother-daughter weekend by having an old college friend in charge of the weekend's entertainment create a spot in the musical lineup so that Mary will get to perform. But after hearing Mary perform, Donna realizes that her daughter's wish for a singing career is not mere fancy--she has real talent (or the appearance of such, given what we've noted about Fabares' musical abilities above)--while she also recalls that her own desire to sing as a young woman was quashed by her parents. Mary finally decides to enroll in college after all while nurturing her musical talents in the campus glee club so that both mother and daughter come away from the experience having learned something about each other and themselves. While the episode employs the same sentimental exploitation common in many sit-com "teaching" plots, it also reasonably portrays the dilemma real parents face in balancing their desire for their children to experience the same thrills they had while also allowing children to pursue their own path.

Even more poignant is the episode "Dear Wife" (June 14, 1962) in which Mary becomes attracted to a groomsman at a wedding where she is one of the bridesmaids. After Mary catches the bride's bouquet and Alex jokes that given the cost of weddings he will give Mary $1000 cash if she will elope whenever she decides to wed, Donna becomes concerned when Mary also goes on and on about how perfect the groomsman Roger Perry is, fearing that she may take Alex up on his offer, especially when she learns that Roger is leaving the next morning for a work assignment in Las Vegas, the land of impulsive weddings. When Donna tries to tell Mary that she will eventually have her day and that weddings always tend to make people feel unusually romantic, Mary turns on her in a rare and very convincing outburst of anger at still being treated like a child. After Mary storms out of the house to attend a going away party for Roger, Donna turns to Alex in a moment of real terror and says she doesn't even know her daughter when she talks that way. Alex tries to reassure her that while Mary can have her moments of emotion she eventually comes around to a rational decision and that they should trust her not to run off and elope with Roger. Of course, the rest of the episode tries to milk the comic disconnect between them saying they can trust Mary but feeling the need to monitor her every move to make sure that they are right. Unfortunately, the episode and the series easily slips back into conventional sit-com mode, but the two scenes in which Mary gives her mother a tongue lashing and Donna seeks solace from her husband over what just happened are the best and most realistic in the entire year's worth of episodes. Perhaps Reed's instincts were right in hating the term "sit-com"--she should have been doing drama.

The Actors

For the biographies of Donna Reed, Carl Betz, Shelley Fabares, and Paul Petersen, see the 1960 post on The Donna Reed Show. For the biographies of Jimmy Hawkins and C. Lindsay Workman, see the 1961 post on The Donna Reed Show.

Candy Moore

Born Candace Lee Klaasen in Maplewood, New Jersey in 1947, Candy Moore had her first screen roll at age 12 in an episode of One Step Beyond, a program she would appear on again the following year. In 1961 she made her feature film debut playing the lead in Tomboy and the Champ as well as appearing in episodes of Leave It to Beaver, Wagon Train, My Three Sons, Rawhide, and several others in addition to her first appearance as Jeff Stone's girlfriend Angie Quinn on The Donna Reed Show. After appearing 5 more times as Angie in 1962, Moore had her biggest career break when she was cast as Lucille Ball's daughter Chris Carmichael on The Lucy Show, which debuted in the fall of 1962. Moore stayed with the program until 1965 when it was reformatted and her character was written out. She returned to The Donna Reed Show that year, appearing once as Bernice in "Boy Meets Girl Machine" and three more times as Bebe Barnes extending into 1966. That year she also appeared in the Clint Walker feature adventure film The Night of the Grizzly.  In 1967 she served as a fashion hostess for a week on the Chuck Barris-produced TV beauty pageant game show Dream Girl of '67, a program on which her Donna Reed co-star Paul Petersen was then co-hosting. In 1971 she married actor Paul Gleason, and the couple had one daughter, Shannon, before divorcing in 1978. As recently as 2019 she was teaching English at Esteban E. Torres High School in Los Angeles.

Although numerous online sites, including Wikipedia and imdb.com, credit Moore with being the cover model for the Alberto Vargas painting for The Cars LP Candy-O and list her as having appeared in the feature films Raging Bull and Lunch Wagon, there is some doubt that the latter Candy Moore is the same as the Donna Reed actress.

 

 

 

Darryl Richard

Other than his birthday--March 18, 1946, his birth name--Darryl Richard Rosenberg, and his filmography, very little has been published about Darryl Richard, who played Jeff Stone's best friend Morton "Smitty" Smith in 34 episodes of The Donna Reed Show between 1961-66. He made his TV debut at age 7 in an episode of the drama anthology Suspense in 1953 and appeared 3 times in different roles on The Phil Silvers Show in 1956-57. Concurrent with these early television roles, Richard appears to have been a child actor on Broadway, beginning with a 1954 appearance in King of Hearts and including the role of Buster Pollitt in the Pulitzer-Prize-winning production of Tennessee Williams' Cat on a Hot Tin Roof in 1955. Other Broadway appearances included A Roomful of Roses in 1955, Harbor Lights in 1956, and Portofino in 1958. As a teenager he had a flurry of guest spots on television programs in 1960 and 1962,including The Twilight Zone, The Betty Hutton Show, The Ann Sothern Show, and The Rifleman. After landing his recurring role on The Donna Reed Show, he only made a handful of additional TV appearances on Mr. Novak, Grindl, Kraft Suspense Theatre, and Summer Playhouse in 1963-64. Though he appears to have retired from film acting after the cancellation of The Donna Reed Show, someone tracked him down to autograph trading cards depicting his role in The Twilight Zone episode "The Changing of the Guard" for a series of cards celebrating the Rod Serling TV series issued by Ritterhouse in 2016. Richard also appears with Mel Brooks at Santa Anita Racetrack in 2015 on the web site managed by his friend Kevin Childs at https://www.buttermilkbrook.com/childs.html. Childs says that Richard retired from acting around 1970 and had a successful business career before retiring from that as well.

Notable Guest Stars

Season 4, Episode 17, "Dr. Stone and His Horseless Carriage": Gale Gordon (shown on the left, starred in Here We Go Again, Here Come the Nelsons, Our Miss Brooks, and Speedway and played Osgood Conklin on Our Miss Brooks, Harvey Box on The Box Brothers, Bascomb Bleacher on Sally, Landlord Heckendorn on The Danny Thomas Show, Uncle Paul Porter on Pete and Gladys, John Wilson on Dennis the Menace, Theodore J. Mooney on The Lucy Show, Harrison Otis Carter on Here's Lucy, and Curtis McGibbon on Life With Lucy) plays hospital administrator Mr. Webley. Oliver McGowan (Harvey Welk on Empire) plays medical lecturer Dr. Thorgeson.

Season 4, Episode 18, "For Angie, With Love": Trudy Marshall (shown on the right, onetime model for cigarette print ads for Lucky Strike and Chesterfield, appeared in Girl Trouble, The Fighting Sullivans, Sentimental Journey, and Dragonwyck) plays lady's wear shop clerk Mrs. Foster. Mary Lawrence (appeared in County Fair, The Stratton Story, and A Cry in the Night and played Alice Jones on Casey Jones and Ruth Helm on The Bob Cummings Show) plays Jeff's rival's mother Mrs. Devlin.

Season 4, Episode 19, "Aloha, Kimi": Myoshi Umeki (shown on the left, starred in Sayonara, The Flower Drum Song, and A Girl Named Tamiko and played Mrs. Livingston on The Courtship of Eddie's Father) plays nurse Kimi Makihara. Crahan Denton (appeared in The Parent Trap, Birdman of Alcatraz, and To Kill a Mockingbird) plays Hawaiian pediatrician Dr. Kendall. James Douglas (appeared in G.I. Blues, A Thunder of Drums, and Sweet Bird of Youth and played Steve Cord on Peyton Place, Grant Coleman on As the World Turns, Desmond Aldrich on The Edge of Night, and Dr. Marcus Polk on One Life to Live) plays Kendall's clinic partner Dr. Paul Phillips. Susan Gordon (appeared in Attack of the Puppet People, Tormented, The Five Pennies, and Picture Mommy Dead) plays Alex's vacationing patient Penny Palmer. Betsy Jones-Moreland (Judge Elinor Harrelson in 7 Perry Mason TV movies) plays Penny's mother Janet. Harvey Lembeck (appeared in You're in the Navy Now, Stalag 17, and The Unsinkable Molly Brown, played Eric Von Zipper in 5 beach movies--Beach Party, Bikini Beach, Pajama Party, Beach Blanket Bingo, and How to Stuff a Wild Bikini, and played Chips Collins on Make Room for Daddy, Cpl. Rocco Barbella on The Phil Silvers Show, and Seaman Gabby di Julio on Ensign O'Toole) plays cab driver Rudy Meyer.

Season 4, Episode 20, "Donna's Prima Donna": James Stacy (shown on the right, see the biography section for the 1961 post on The Adventures of Ozzie and Harriet) plays Fairburn college student Danny Calvin. Don Spruance (Dr. Robert Ward on Ben Casey) plays young father Mr. Haslip.

Season 4, Episode 21, "Explorer's Ten": Earle Hodgins (starred in The Texas Rambler, Paradise Canyon, Heroes of the Alamo, and Pride of the West and played Lonesome on Guestward Ho!) plays retirement home resident Mr. Coxey. Allan Hunt (Stuart Riley on Voyage to the Bottom of the Sea) plays Jeff's explorer group leader Howard. Ken Niles (radio announcer for The Life of Riley) plays astronomer Prof. Earnshaw.

Season 4, Episode 22, "The New Office": Victor French (appeared in The Quick and the Dead, Charro!, and Rio Lobo and played Agent 44 on Get Smart, Fred Gilman on The Hero, Chief Roy Mobey on Carter Country, Isaiah Edwards on Little House on the Prairie, and Mark Gordon on Highway to Heaven) plays mover Mike.

Season 4, Episode 23, "The Golden Trap": Charla Doherty (shown on the left, played Julie Olson on Days of Our Lives) plays Mary's friend Janice. Regina Groves (Joanie MacRoberts on Our Man Higgins) plays another of Mary's friends Ann. Alan Carney (played Mike Strager in a series of RKO comedies in the 1940s, appeared in The Absent-Minded Professor, Son of Flubber, It's a Mad, Mad, Mad, Mad World, and Herbie Rides Again, and played Herbie on The Jean Carroll Show) plays plumber Mr. Pruitt. Swoosie Kurtz (Ellie Bradley on As the World Turns, Laurie Morgan on Love, Sidney, Alex Reed Barker on Sisters, Effie Conklin on Love & Money, Madeleine Sullivan on Huff, Lily Charles on Pushing Daisies, Marilyn on Rita Rocks, Joyce Flynn on Mike & Molly, Tiffany on The Dangerous Book for Boys, Beverly on Man With a Plan, Sheila on Call Me Kat, and voiced Betty Smith on American Dad!) plays party-goer Mimi.

Season 4, Episode 24, "Free Flight": William Lanteau (shown on the right, appeared in Li'l Abner, The Honeymoon Machine, Sex and the Single Girl, and Hotel and played Seth Duncan on The Ghost and Mrs. Muir and Chester Wanamaker on Newhart) plays airline publicity executive Connors. Vinton Hayworth (see the biography section for the 1961 post on Lawman) plays airline president Floyd. Dorothy Lovett (played Judy Price in 5 Dr. Christian feature films) plays Donna's friend Edie. Robert Shayne (appeared in Christmas in Connecticut, The Giant Claw, and North by Northwest and played Inspector Bill Henderson on The Adventures of Superman and the sound man on Bracken's World) plays her husband Joe. John Newton (Bill Paley on Search for Tomorrow and Judge Eric Caffey on Law & Order) plays reporter Kurt Breen.

Season 4, Episode 25, "The Wide Open Spaces": William Windom (shown on the near left, appeared in To Kill a Mockingbird, The Americanization of Emily, and Escape From the Planet of the Apes and played Congressman Glen Morley on The Farmer's Daughter, John Monroe on My World and Welcome to It, Larry Krandall on Brothers and Sisters, Frank Buckman on Parenthood, and Dr. Seth Hazlitt on Murder, She Wrote) plays former Hilldale tax accountant David Adams. Patricia Breslin (shown on the far left, played Amanda Peoples Miller on The People's Choice, Laura Brooks on Peyton Place, and Meg Bentley on General Hospital) plays his wife Millie. Steven Barringer (Butch Malone on Cannonball and the radio operator on The Forest Rangers)plays their son Steve.

Season 4, Episode 27, "Once Upon a Timepiece": Crahan Denton (see "Aloha, Kimi" above) plays travel author Curtis Babcock.

Season 4, Episode 29, "Winner Takes All": Allan Hunt (see "Aloha, Kimi" above) plays Jeff's friend Moose Edwards. Ken Lynch (shown on the right, see the biography section for the 1961 post on Checkmate) plays his father.

Season 4, Episode 30, "Skin Deep": Peter Brooks (Hank Ferguson on My Three Sons) plays Mary's blind date Gregory Taylor. Regina Groves (see "The Golden Trap" above) returns as Mary's friend Ann. Alan Hunt (see "Explorer's Ten" above) plays Mary's suitor Stan.

Season 4, Episode 31, "The Fortune Teller": Dorothy Lovett (see "Free Flight" above) returns as Donna's friend Edie. Evans Evans (widow of John Frankenheimer, appeared in All Fall Down, Bonnie and Clyde, and The Iceman Cometh) plays baker Ethel. Doodles Weaver (shown on the left, narrated Spike Jones' horse-racing songs and hosted A Day With Doodles) plays a fresh fortune-telling client.

Season 4, Episode 32, "Man of Action": Bobby Horan (Paul Garret on The Hero) plays Smitty's younger brother Hoby. Gene Blakely (Dave on Bewitched) plays Alex's golf partner Dr. Frank Bennett.

Season 4, Episode 33, "Donna Meets Roberta": Roberta Sherwood (shown on the right, popular singer who recorded for Decca Records and appeared in The Courtship of Eddie's Father) plays widow Roberta Summers. Gale Gordon (see "Doctor Stone and His Horseless Carriage" above) plays her brother Dudley Brockton. Don Lanning (son of Roberta Sherwood) plays her son Don. Jerry Lanning (son of Roberta Sherwood, played Nick D'Antoni on Search for Tomorrow, Justin Marshall on Texas, and Cain Harris on Guiding Light) plays her son Jerry. Robert Lanning (son of Roberta Sherwood, drummer for the sunshine pop group Inner Dialogue and for Elvis Presley in 1970) plays her son Bobby. Harry Holcombe (appeared in The Fortune Cookie, The Unsinkable Molly Brown, Foxy Brown, Escape to Witch Mountain, and Empire of the Ants and played Frank Gardner on Search for Tomorrow, Doc Benson on My Mother the Car, Mr. Kendricks on Barefoot in the Park, and Dr. J.P. Martin on Bonanza) plays Alex's investment advisor Paul Smith.

Season 4, Episode 35, "The Swingin' Set": Mimsy Farmer (starred in Hot Rods to Hell, Riot on Sunset Strip, Devil's Angels, The Wild Racers, and More) plays Jeff's dream girl Laurie Wesson. Patricia Lyon (shown on the left, wife of Robert Fuller) plays Jeff's junior prom date Jan Streeter.

Season 4, Episode 36, "On to Fairview": Paul Tripp (host of children's shows Mr. I. Magination and On the Carousel and co-creator of Tubby the Tuba) plays bicycle shop owner Mr. Varney. Julie Bennett (voiced Cindy Bear on The Yogi Bear Show, Yogi's Gang, and The New Yogi Bear Show, Lois Lane on The Superman/Aquaman Hour of Adventure, Kitty Jo and Chessie on Cattanooga Cats, Lady Constance and Queen Anne on The Banana Splits Adventure Hour, Monica on Dinky Dog, and Aunty May Parker on Spider-Man: The Animated Series) plays a lady shopper. Carter DeHaven (father of actress Gloria DeHaven) plays jeweler Mr. Merriam.

Season 4, Episode 37, "The Man in the Mask": Don Drysdale (shown on the right, Hall-of-Fame Dodgers pitcher and announcer) plays himself. Reba Waters (Francesca on Peck's Bad Girl) plays softball captain Marcia Wright.

Season 4, Episode 38, "The Father Image": Gerald Gordon (Dr. Nick Bellini on The Doctors, Felix Morger on Highcliffe Manor, and Skip Franklin on Valerie) plays Alex's colleague Dr. Dick Morley. Mimsy Farmer (shown on the left, see "The Swingin' Set" above) returns as Jeff's girlfriend Laurie.

Season 5, Episode 1, "Mister Nice Guy": Alan Carney (see "The Golden Trap" above) returns as plumber Mr. Pruitt.

Season 5, Episode 2, "Mrs. Stone and Dr. Hyde": Marge Redmond (shown on the right, appeared in Sanctuary, The Trouble With Angels, The Fortune Cookie, and Family Plot and played Sister Jacqueline on The Flying Nun and Mrs. McCardle on Matlock) plays Alex's receptionist Alma. Sally Mansfield (Vena Ray on Rocky Jones, Space Ranger) plays Donna's friend Alice. Dick Wilson (Dino Barone on McHale's Navy and George Whipple in Charmin toilet paper commercials) plays butcher Mr. Drucker. Bobby Horan (see "Man of Action" above) plays Alex's patient Jimmy.

Season 5, Episode 3, "To Be a Boy": Brooke Bundy (shown on the left, appeared in Firecreek, The Young Runaways, A Nightmare on Elm Street 3: Dream Warriors, and A Nightmare on Elm Street 4: The Dream Master and played Rebecca North on Days of Our Lives and Diana Maynard Taylor on General Hospital) plays Mary's college friend Joanne Wells.  Cindy Carol (Alma Hanson on Leave It to Beaver, Binkie Massey on The New Loretta Young Show, and Susan on Never Too Young) plays Smitty's girlfriend Caroline Myers.

Season 5, Episode 4, "Who Needs Glasses?": Harvey Korman (shown on the right, played various characters on The Carol Burnett Show, the voice of The Great Gazoo on The Flintstones, Harvey A. Kavanuagh on The Harvey Korman Show, Leo Green on Leo & Liz in Beverly Hills, and Reginald J. Tarkington on The Nutt House) plays optometrist Dr. Allison.

Season 5, Episode 5, "Mary, Mary, Quite Contrary": Cheryl Holdridge (see the biography section for the 1961 post on Leave It to Beaver) plays Mary's college roommate Pat Walker.

Season 5, Episode 6, "My Dad": Ray Montgomery (Prof. Howard Ogden on Ramar of the Jungle) plays Smitty's father Mr. Smith.

Season 5, Episode 7, "Fine Feathers": Beth Peters (Agnes Whitaker on General Hospital) plays pet store owner Marge Bentley.

Season 5, Episode 8, "Rebel With a Cause": Harvey Korman (see "Who Needs Glasses?" above) plays social researcher Carter Melville. Harold Gould (shown on the left, played Bowman Chamberlain on The Long Hot Summer, Harry Danton on The Feather and Father Gang, Martin Morgenstern on The Mary Tyler Moore Show and Rhoda, Jonah Foot on Foot in the Door, Ben Sprague on Spencer, and Miles Webber on The Golden Girls) plays newspaper editor Cal Winslow. Bill Zuckert (Arthur Bradwell on Mr. Novak and Chief Segal on Captain Nice) plays Donna's old friend Jason Farnum. Dick Wilson (see "Mrs. Stone and Dr. Hyde" above) plays hotel clerk Mr. Carothers. Helena Carroll (appeared in The Friends of Eddie Coyle, The Jerk, The Dead, and The Mambo Kings and played Molly O'Connor on The Edge of Night and Nancy McTavish on General Hospital) plays hotel maid Jeanette.

Season 5, Episode 9, "Big Star": Jerry Lanning (see "Donna Meets Roberta" above) plays Mary's boyfriend Clay Shannon. Arthur Malet (appeared in Mary Poppins, In the Heat of the Night, and Heaven Can Wait and played Carl on Casablanca, Bobby on Easy Street, Nigel Peabody on Days of Our Lives, and Ryan on Dallas) plays college music Prof. Raskin. Betsy Jones-Moreland (see "Aloha, Kimi" above) plays talent scout Geri Harris.

Season 5, Episode 10, "Man to Man": Tony Owen, Jr. (son of Donna Reed and Tony Owen) plays Jeff's friend Rick Sims. Harry Korshak (later produced Calliope, Hit!, Gable and Lombard, and Sheila Levine Is Dead and Living in New York) plays his friend Jerry Abbott. Nancy Spry (Miss Teen USA for 1964, appeared in Bye Bye Birdie and The Girls on the Beach) plays their friend Angie. Patricia Lyon (see "The Swingin' Set" above) plays their friend Maxine.

Season 5, Episode 11, "The Baby Buggy": Fay Bainter (shown on the right, Oscar-winning actress, starred in Jezebel, Our Town, State Fair (1945), The Secret Life of Walter Mitty, and The Children's Hour) plays obstetrician Dr. Harriet Robey. Hayden Rorke (starred in Father's Little Dividend, When Worlds Collide, and Pillow Talk and played Steve on Mr. Adams and Eve, Col. Farnsworth on No Time for Sergeants, Dr. Alfred Bellows on I Dream of Jeannie, and Bishop on Dr. Kildare) plays banker Joe McVey. Richard Deacon (see the biography section for the 1961 post on The Dick Van Dyke Show) plays high school principal Mr. Moorehead. Gerald Trump (Crump on Ensign O'Toole) plays delivery boy Willie Costa.

Season 5, Episode 12, "The Makeover Man": James Stacy (see "Donna's Prima Donna" above) plays Mary's boyfriend Steve Callahan. Shary Marshall (Linda on Wendy and Me) plays his sister Gloria. Bob Rodgers (shown on the left, professional baseball catcher with the Los Angeles Angels) plays his basketball coach. Bea Shaw (Pamela Willis on Crossroads) plays Gloria's customer. Allan Hunt (see "Explorer's Ten" above) plays Steve's basketball teammate.

Season 5, Episode 13, "The Winning Ticket": Anjanette Comer (shown on the right, starred in The Loved One, The Appaloosa, Guns for San Sebastian, and Rabbit, Run) plays Jeff's friend Barbie.

Season 5, Episode 15, "Jeff Stands Alone": James Stacy (see "Donna's Prima Donna" above) plays telephone lineman Sandy. William Launteau (see "Free Flight" above) plays employment agent Mr. Jepsen. A.G. Vitanza (Ramon on The Flying Nun) plays a hotel clerk.


Monday, July 22, 2013

Tate (1960)




Perhaps the first series to feature a handicapped character in the lead role, Tate was a summer replacement western that ran for only 13 episodes, filling in for the second half of the regular-season Perry Como Show. The series, which aired on NBC, was sponsored by Kraft Foods and produced by Como's Roncom Productions. The title character, played by David McLean, who was then appearing in Marlboro cigarette ads as one of the early versions of the Marlboro Man, is a Civil War veteran who was shot in the left arm during the Battle of Vicksburg, rendering him lame in that arm. He keeps the arm covered in a black leather glove and sleeve up to his elbow and wears a sling to support it. Despite this handicap, Tate is an expert marksman and faster on the draw than anyone else he encounters. He loans himself out as a gun for hire, though never an assassin, and has been compared elsewhere to the character of Paladin on Have Gun -- Will Travel, though Tate, who goes only by his last name, is not a foppish dandy with Shakespearean pretensions. Instead, he wears corduroy and carries a Bible.

We learn his back story in the series' opening episode, "Hometown" (June 8, 1960), in which Tate returns to his unnamed hometown after a 10-year absence that began when the Civil War broke out, placing the timeframe in 1871. (Two other episodes--"The Mary Hardin Story" (June 29, 1960) and "The Gunfighters" (August 31, 1960)--specifically mention in their openings that they are set in 1871.) He has returned at the request of Sheriff Morty Taw, who needs his gun as a backup so that he can hang convicted murderer Joey Jory, whose brothers and friends aim to rescue him. Taw takes Tate out to the gravesite where his wife Mary is buried. Oddly, this is the first time he has been to her grave. Being a widower gives Tate a sympathetic past, showing that he is capable of love and being loved, while allowing him to roam free to pursue any and all employment opportunities. In various episodes, he takes assignments in Wyoming, Nebraska, Montana, and Texas. The remainder of the "Hometown" episode plays out like High Noon in which Tate and Taw are the only ones brave enough to stand up to the Jory gang.

In other episodes, Tate is hired as a bounty hunter who then must answer the challenge of a young gun eager to establish a reputation ("Stopover," June 15, 1960), fend off a bounty hunter himself hired by a vengeful young man whom Tate is forced to kill in self-defense ("The Bounty Hunter," June 22, 1960), defend a widow from a land-grabber who refuses to acknowledge her right to her property via the Homestead Act ("The Mary Hardin Story," June 29, 1960), and help a group of farmers get what they're owed from a double-crossing cattle rancher ("The Gunfighters," August 31, 1960). In other words, each episode presents a different problem that usually can be resolved only with a gun, or so the narrative would have us believe. However, the episode "Reckoning" (August 24, 1960) ends with Tate not having killed anyone nor made good on his assignment. He is originally sent to bring back Abel King for killing the son of the man who hires him, but after King rescues Tate from sickness brought on by drinking contaminated water, Tate decides to delve deeper into the case and learns that King had killed the man's son to defend the honor of his daughter, who got the reputation of having had intimate relations with the son. But Tate is able to determine that the rumors were only that, spread by King's hired hand Luke Corey to ward off rival suitors. Once Tate uncovers what really took place, he allows Corey to merely walk away, perhaps convinced that the shame he has brought on himself will be a harsher punishment than anything the law could hand out.

As this episode shows, Tate is a man driven more by principle than monetary interest. He is willing to forget the bounty he was promised for King because he comes to believe that King was justified in his behavior (whether we agree with it or not). Likewise, he isn't above thwarting the interests of his employers if they conflict with his morals. In "A Lethal Pride" (July 20, 1960), Tate is faced with a similar position: he is hired by Mexican father Arriaga to bring justice to privileged young white man Clay Barton for taking liberties with his daughter Carmela. But Tate refuses to turn over Barton to Arriaga to exact his revenge, insisting that he be taken to the legal authorities for any warranted punishment. Arriaga has a hard time accepting this because, as a Mexican, he expects not to receive justice from the white legal system and is too eager to believe that Tate plans to conspire against him with the other whites. In "Comanche Scalps" (August 10, 1960) Tate has no problem providing backup for his old war friend Amos Dundee when he meets him in a Montana town to shoot down the man Dundee says killed his younger brother. But when Dundee receives word that his other brother Tad has married the woman he loves while he was away, he is determined to go back home and kill his own brother. However, Tate refuses to stand aside, even after being paid. He goes with Dundee, urging him the entire way not to seek vengeance against his brother, and finally draws his pistol against Dundee when the latter bull-whips Tad, who refuses to fight back. But Tate is spared the task of gunning down Dundee because a band of Indians come by at that moment and fatally shoot him with an arrow. Still, we get the sense that Tate would not have allowed Amos to kill Tad.

Since Tate's physical handicap is so unusual for the era, it is remarkable that it is not more central to the plots. He occasionally is insulted, called half a man or "one wing," but these incidents are never the driving force of the narrative. He does not seem particularly offended by such remarks because he seems to feel that he is not at a disadvantage, despite the loss of one arm. Occasionally his lame arm is a kind of identifying badge, as in "Hometown" where two of Jory's cohorts find him camping outside town and ask what his name is. When he refuses to provide it, one of them asks him to step out into the light and once they see his arm in a sling, Joss Jory immediately recognizes him as Tate. Whereas it would have been easy to use the handicap as a means for eliciting more sympathy for his character, that never seems to be the intent. Even when it comes to hand-to-hand combat, Tate more often than not holds his own, even though the scenes where he pushes another man clear across the room with his good arm strain the show's credibility. Rather than a man pitied by women, Tate is more often seen as desirable, as the wife of one of the aforementioned farmers considers him a man of action who is willing to fight, while she sees her husband as a coward who has to hire someone else to fight his battles. And in "Reckoning," the sullied young woman Lulie Jean King is disappointed that Tate intends to leave after her reputation has been restored because she has become infatuated with his worldliness. All of these elements combine to depict Tate as a man who refuses to be limited or defined by his handicap. As such, the series is considerably ahead of its time in providing a positive role model for the disabled without resorting to cheap emotionalism.

Though there are no credits for the theme song or individual scores, musical supervision is credited to Irving Friedman, whose biography can be found in the post for Father KnowsBest.

The complete series has been released on DVD by TimelessMedia Group.

The Actors

David McLean

Born Eugene Joseph Huth in Akron, Ohio in 1922, McLean began his acting career on the stage in Ohio, eventually moving to Los Angeles, where he continued his stage work and broke into credited screen work on the TV western Sugarfoot in 1957. Other than an uncredited appearance in the 1955 TV movie Captain Fathom, this was his only documented film work before being cast as Tate in the series of the same name. However, he had developed a national identity as the Marlboro Man in both print and television ads. While trying to launch his acting career, McLean worked as a cartoonist and sketch artist. He also was said to be an accomplished woodworker.

His lead work on Tate led to four film appearances and a TV guest spot the following year, most notably an uncredited role in Irwin Allen's film version of Voyage to the Bottom of the Sea, which preceded the TV series of the same name. McLean's other film roles were in B movies, like the sci-fi classic X-15, which also included Charles Bronson, Mary Tyler Moore, Stanley Livingston of My Three Sons, and narration by Jimmy Stewart. Guest appearances on a host of TV shows continued throughout the 1960s, despite the fact that McLean was diagnosed with cancer in 1964 due to his heavy smoking. McLean then became an anti-smoking advocate, going before the board of Philip Morris to plead with them to limit television advertising and joining the campaign that eventually took cigarette ads off the air. Meanwhile, he continued his acting career and had a recurring role as Craig Merritt on the daytime soap Days of Our Lives in 1965-66. TV guest roles continued into the mid-70s and at the end of the decade there was more B movie work in films like Kingdom of the Spiders (1977) and Deathsport (1978), his last work. In 1985 he began suffering from emphysema and had a tumor removed from one of his lungs in 1994. He died the following year on October 12, and after his death his widow and son filed a wrongful death suit against William Morris. This sequence of events was dramatized in the book and subsequent film Thank You for Smoking.

Notable Guest Stars

Season 1, Episode 1, "Hometown": James Coburn (shown on the right, starred in The Magnificent Seven, Charade, Our Man Flint, and In Like Flint and played Jeff Durain on Klondike and Gregg Miles on Acapulco) plays convicted killer Joey Jory. Hank Patterson (Fred Ziffel on Green Acres and Petticoat Junction and Hank on Gunsmoke) plays his friend Charlie Simms. Royal Dano (appeared in The Far Country, Moby Dick, and The Outlaw Josey Wales) plays hometown sheriff Morty Taw. 

Season 1, Episode 2, "Stopover": King Calder (Lt. Gray on Martin Kane) plays Tate's target Ben Tracy. Robert F. Simon (Dave Tabak on Saints and Sinners, Gen. Alfred Terry on Custer, Frank Stephens on Bewitched, Uncle Everett McPherson on Nancy, Capt. Rudy Olsen on The Streets of San Francisco, and J. Jonah Jameson on The Amazing Spiderman) plays the local sheriff. Vaughn Taylor (starred in Jailhouse Rock, Cat on a Hot Tin Roof, Psycho, and In Cold Blood and played Ernest P. Duckweather on Johnny Jupiter) plays an unnamed bartender. Peggy Ann Garner (appeared in The Pied Piper, Jane Eyre, Daisy Kenyon, and Thunder in the Valley) plays saloon girl Julie. 

Season 1, Episode 3, "The Bounty Hunter": Robert Culp (shown on the left, starred in Sunday in New York, Bob & Carol & Ted & Alice, and Breaking Point and played Hoby Gilman on Trackdown, Kelly Robinson on I Spy, Bill Maxwell on The Greatest American Hero, and Warren on Everybody Loves Raymond) plays bounty hunter Tom Sandee. Robert Redford (starred in Barefoot in the Park, Butch Cassidy and the Sundance Kid, The Sting, and All the President's Men) plays Sandee's employer Torsett. Robert Warwick (starred in Alias Jimmy Valentine, The Supreme Sacrifice, The Heart of a Hero, and Against All Flags) plays Irish poet and station master Sean McConnell. Louise Fletcher (starred in One Flew Over the Cuckoo's Nest, Exorcist II, and The Cheap Detective and played Kai Winn on Star Trek: Deep Space Nine) plays his wife Roberta.

Season 1, Episode 4, "The Mary Hardin Story": Julie Adams (starred in Creature From the Black Lagoon and played Martha Howard on The Jimmy Stewart Show, Ann Rorchek on Code Red, and Eve Simpson on Murder, She Wrote) plays widow Mary Hardin. Mort Mills (Marshal Frank Tallman on Man Without a Gun, Sgt. Ben Landro on Perry Mason, and Sheriff Fred Madden on The Big Valley) plays land-grabber Tetlow.
Season 1, Episode 5, "Voices of the Town": Paul Richards (appeared in Playgirl and Beneath the Planet of the Apes and played Louis Kassoff on The Lawless Years and Dr. McKinley Thompson on Breaking Point) plays townsman Will Ragan. William Mims (Editor Dameron on The Life and Legend of Wyatt Earp) plays an unnamed hotel clerk. Wendy Winkelman (younger sister of Michael Winkelman of The Real McCoys) plays the younger sister of a woman Tate shot.

Season 1, Episode 6, "A Lethal Pride": Gregory Morton (Mr. Wainwright on Peyton Place and Walter Williams on Ben Casey) plays proud Mexican father Arriaga. Marianna Hill (Rita on The Tall Man) plays his daughter Carmela. Ted de Corsia (Police Chief Hagedorn on Steve Canyon) plays wealthy landowner John Barton. Kelton Garwood (Beauregard O'Hanlon on Bourbon Street Beat and Percy Crump on Gunsmoke) plays a scamming preacher.

Season 1, Episode 7, "Tigero": Martin Landau (shown on the right, starred in North by Northwest, Cleopatra, The Greatest Story Ever Told, The Fall of the House of Usher, and Ed Wood and played Rollin Hand on Mission: Impossible!, Commander John Koenig on Space: 1999, Dr. Sol Gold on The Evidence, Bob Ryan on Entourage, and Frank Malone on Without a Trace) plays sheepherder John Chess. Robert Brubaker (Deputy Ed Blake on U.S. Marshal and Floyd on Gunsmoke) plays local kingpin Abel Towey. Warren Vanders (Chuck Davis on Empire and Ben Crowley on Daniel Boone) plays his brother Mannen. Ted Markland (Reno on The High Chaparral) plays his other brother Bill. Harry Swoger (Harry the bartender on The Big Valley) plays an unnamed bartender.

Season 1, Episode 8, "Comanche Scalps": Frank Overton (starred in Desire Under the Elms, To Kill a Mockingbird, and Fail-Safe and played Major Harvey Stovall on 12 O'Clock High) plays Tate's friend Amos Dundee. Robert Redford (shown on the left, see "The Bounty Hunter" above) plays his brother Tad. Leonard Nimoy (shown below, played Mr. Spock on Star Trek, Paris on Mission: Impossible!, and Dr. William Bell on Fringe) plays the leader of the Comanches.

Season 1, Episode 9, "Before the Sun-Up": Warren Oates (starred in In the Heat of the Night, The Wild Bunch, and Stripes and played Ves Painter on Stoney Burke) plays troublemaker Cowpoke. Peter Whitney (Sergeant Buck Sinclair on The Rough Riders and Lafe Crick on The Beverly Hillbillies) plays town bully Clay Sedon. Richard Whorf (starred in Midnight, Yankee Doodle Dandy, and Chain Lightning and directed 18 episodes of Gunsmoke, 37 episodes of My Three Sons, and 67 episodes of The Beverly Hillbillies) plays Doc Emmett Ealy. John Qualen (starred in The Three Musketeers(1935), His Girl Friday, The Grapes of Wrath, Angels Over Broadway, Casablanca, Anatomy of a Murder, and A Patch of Blue) plays restaurant proprietor Sam. 

Season 1, Episode 10, "Reckoning": Bing Russell (Deputy Clem Foster on Bonanza) plays hired hand Luke Corey. 

Season 1, Episode 11, "The Gunfighters": Jack Hogan (shown on the left, starred in The Bonnie Parker Story, Paratroop Command, and The Cat Burglar and played Kirby on Combat!, Sgt. Jerry Miller on Adam-12, Chief Ranger Jack Moore on Sierra, and Judge Smithwood on Jake and the Fatman) plays farmer Cromley. Ken Mayer (Maj. Robbie Robertson on Space Patrol) plays farmer Lathrop. 

Season 1, Episode 12, "Quiet After the Storm": Hampton Fancher (Deputy Lon Gillis on Black Saddle and co-wrote the screenplay and was executive producer on Blade Runner) plays unfaithful husband Coley. Cathy O'Donnell (starred in The Best Years of Our Lives, They Live by Night, Detective Story, The Man From Laramie, The Deerslayer, and Ben-Hur) plays his wife Amy.  

Season 1, Episode 13, "The Return of Jessica Jackson": Patricia Breslin (shown on the right, played Amanda Peoples Miller on The People's Choice and Laura Brooks on Peyton Place) plays stolen wife Jessica Jackson. John Kellogg (Jack Chandler on Peyton Place) plays her husband Milo. Henry Corden (Carlo on The Count of Monte Cristo, Waxey Gordon on The Lawless Years, and Babbitt on The Monkees and did voicework on The Flintstones, Jonny Quest, The Atom Ant Show, The Banana Splits Adventure Hour and Return to the Planet of the Apes) plays his employee Leroux. Jon Lormer (Harry Tate on Lawman, various autopsy surgeons and medical examiners in 12 episodes of Perry Mason, and Judge Irwin A. Chester on Peyton Place) plays an Indian chief.