The Westerner (1960)

Critically acclaimed by some when it first aired and now considered a cult classic of the western television drama, The Westerner owes its lofty reputation to being an early work of controversial and revered director Sam Peckinpah. Peckinpah's knowledge of the wild west was secondhand but perhaps more real than all the other directors and producers who churned out cookie-cutter horse operas in the late 1950s and early 1960s. He had grown up near Fresno, California where his grandfather ran a ranch that not only allowed the young Peckinpah to experience ranch life first hand but to also hear the stories of descendants of 19th century miners and ranchers who worked on his grandfather's spread. After a stint in the Marines in which he served in the Pacific and witnessed firsthand the brutality of war between the Chinese and Japanese, he enrolled at California State University, initially studying history until his first wife Marie Selland got him interested in theater and directing. He went on to earn a master's degree from USC, worked as a stage hand on local TV, and worked for director Don Siegel as a dialogue coach on several of his films. With Siegel's recommendation he began getting scriptwriting assignments for western TV series such as Gunsmoke, Have Gun -- Will Travel, and Broken Arrow. His script for an episode of Dick Powell's Zane Grey Theatre became the basis for the series The Rifleman, for which Peckinpah directed four episodes and wrote several others. His association with Powell's anthology series eventually led to The Westerner as his 1959 episode "Trouble at Tres Cruces" became the unofficial pilot for the 1960 series. The pilot revolved around a high-powered Winchester repeating rifle which is bequeathed to drifter Dave Blassingame (played by Brian Keith) and which he uses to exact revenge on the killer of the rifle's original owner. Initially the series was to be called The Winchester and focus strongly on the high-powered gun, much like Lucas McCain's trademark gun in The Rifleman.

While the Winchester does figure prominently in The Westerner's first episode "Jeff" (September 30, 1960) and "The Old Man" (November 25, 1960), it is not central to the theme of these two episodes and is rarely seen in the other 11 episodes. But the violence and brutality that earned Peckinpah the nickname "Bloody Sam" is very much a part of the series, though the intensity of the violent episodes is leavened by the series' three comic episodes--"Brown" (October 21, 1960), "The Courting of Libby" (November 11, 1960), and "The Painting" (December 30, 1960)--all three directed by Peckinpah and co-starring John Dehner as Blassingame's friend and foil Burgundy Smith. As film historians Paul Seydor, Garner Simmons, David Weddle, and Nick Redman note in their commentary for the 2017 DVD release, The Westerner is a case study in Peckinpah's skill as a director and script writer even before he made his first feature film and an exploration of his demythologizing of the old west. Though he sometimes gets miscast as a promoter of graphic violence, these film historians point out that in The Westerner violence has real-world  and often tragic consequences, unlike almost all the other westerns from the era.

The standard formula for television westerns by 1960 centered around a mythic hero (sometimes a duo, as in Laramie and Lawman, or ensemble, as in Wagon Train and Gunsmoke) who was either bound to a place (again, Gunsmoke, Lawman, and The Rifleman) or wandered freely dispensing justice (Cheyenne and Have Gun -- Will Travel). In the single-location westerns, evil typically comes from outside the community. In the picaresque-style westerns, the hero encounters evil in the places he visits. In both cases, while the hero can be occasionally wounded, he is invincible and the agent for defeating evil or enabling the downtrodden to do so. Such a formula rarely allows for real tragedy because the villains get what they deserve. Though occasionally a character will begin as the embodiment of evil, we may learn that he is misguided and has a change of heart, allowing him to be redeemed in this life, or if his sins prove too severe, he is allowed to give his life to restore order and therefore achieve redemption in the next life.

But this is not how the narratives generally play out in Peckinpah's world, though "The Old Man" perhaps fits closest to the standard redemption trope when dying patriarch Tyler McKeen willingly gives up what short time remains for him to ensure that his estate passes to his grandson rather than to the vulture-like distant relatives who show up and demand that he bequeath his effects to them. McKeen even gives a dying speech to his grandson that he would not have wanted to go out any other way. But in the series opener "Jeff," Blassingame travels many miles to try to rescue his childhood girlfriend currently trapped in an abusive and exploitative relationship with a brutal former boxer named Denny Lipp. Though Blassingame nearly convinces her to come away with him and endures a violent shoot-out with Lipp's Indian bartender and a brawl with Lipp himself, Jeff ultimately decides to stay in her sado-masochistic relationship with Lipp because she cannot forgive herself for her descent into prostitution and she believes that no one else can either. Blassingame as savior is foiled and is forced to leave beaten and empty-handed. This is hardly the sort of "all's right with the world" ending that pervaded 1960s westerns.

While the film historians mentioned above consider the comic episode "Brown" to be an extended depiction of the kind of drunken bender that the notorious alcoholic Peckinpah himself experienced on many occasions, he shows the other side of the coin in how drunkenness can lead to pointless tragedy in "Line Camp" (December 9, 1960). In this episode Blassingame runs across a traveling company of horse wranglers and lands a job after finding one of their members dead along the trail. After joining them he learns that the group also includes someone he has worked with before, Ben Prescott, who is clearly an alcoholic and takes advantage of their foreman's absence to break company rules in buying alcohol from some traveling hunters and then getting drunk with the other wranglers, including Blassingame. But when the foreman returns and fires Blassingame and Prescott for breaking the rules, Blassingame accepts the decision and says he is guilty but he does not want to travel with Prescott because he knows what kind of man he is from their past acquaintance. This offends Prescott, still obviously intoxicated, who begins spouting off that Blassingame intends to kill him once they both leave camp, and even though Blassingame peacefully goes outside and tries to saddle up to leave alone, Prescott follows him outside with his gun, begins firing at him, and wounds him in the leg, forcing Blassingame to fire back and kill Prescott. Blassingame reiterates that Prescott's behavior was senseless as he posed no threat to him, and the foreman asks how he is going to explain to his company how he wound up with one wrangler dead and another one incapacitated due to his leg wound. There is no sense of justice at the end of this episode because even though Prescott behaved foolishly and proved to be a threat to Blassingame, he was not motivated by evil, only a paranoid obsession brought on by too much alcohol. Here Peckinpah strips away the myth of good triumphing over evil and shows the dire consequences of bad decisions, a much more realistic depiction of human behavior than is found in all the other westerns of the era.

The episode "Hand on the Gun" (December 23, 1960) paints a similar picture of someone taking things too far and receiving more than he bargained for. In this case, it is easterner Calvin Davis, who joins Blassingame's group of wild horse wranglers thinking that because he has read about the west and can do a few gun tricks that he can take on anyone. The greenhorn who gets in over his head is common trope in television westerns, but is usually played for comic effect. Peckinpah's version is grimmer because it shows that gunplay is not a kid's game. Besides feeling like he has something to prove, Davis also displays a racist streak in calling Blassingame's friend Oresquote Solera a "pepper gut," an insult because of Solera's Mexican heritage. After the group has delivered the horses they've captured and have been paid, Davis wants to continue in Blassingame's employ, but the latter doesn't want him because he has seen how reckless and hard-headed he is. Davis tries to strike back by repeating his insult to Solera and will not be satisfied with anything other than a showdown in the street. Earlier in the episode Blassingame tries to each Davis the real-world consequences of a gun wound by having Solera show him where a bullet entered his abdomen and then exited from a much larger hole in his back, a wound that laid Solera up for 8 months recovering. But Davis fails to heed the warning, and when he faces Solera in the street he gets off the first shot at point blank range but misses. Solera doesn't miss in returning fire, and Davis drops to the street in shock, still not believing that the duel didn't play out the way he imagined, as Blassingame and Solera ride out of town, leaving him to die. Here another life is wasted because someone failed to grasp the serious, tragic consequences of the violence that a gun can deliver. Rather than being a champion of bloodshed and violence, as he is often labeled, Peckinpah is unblinking and graphic in his depiction of violence to show the viewer what can really happen in the real world, which is nothing like the morality plays that pervaded the television airwaves in 1960.

Peckinpah's attempt to offer a more realistic depiction of western life didn't stop with the stories--the character of Dave Blassingame was far from the one-dimensional characters seen in other western series, where men tended to be bolt upright defenders of justice, irredeemable villains, or simple-minded comic foils. Blassingame generally tries to do what's right and doesn't go out seeking violence, but he is prone to bouts of drunkenness and delusion, thinking a woman like Libby Lorraine in "The Courting of Libby" would be a suitable partner for a penniless trail bum like him. However, he strikes a particularly poor figure in "Treasure" (November 18, 1960) in which he discovers U.S. Government saddlebags laden with golden coins hidden out in the desert after being stolen from an army payroll some years ago. He knows they are stolen because an old prospector wanders by shortly after his discovery, obviously looking for the same treasure, and tells him the tale of this missing payroll. When the prospector observes that Blassingame is acting oddly, he decides to stick around, hoping that Blassingame will make a mistake that will let him walk away with the coins. Neither man is willing to bargain with the other or admit to the other what they are after, so that when Blassingame finally nods off while guarding the hole in a rock formation where the saddlebags are hidden, the prospector makes his move and tries to kill him with a knife. Blassingame is able to fend him off and shoot the prospector dead, but in the process scares off the prospector's mule. He is then forced to ride back to town and the strain of the saddlebags finally does in his horse, which he has to shoot. He refuses to share his water with his dog Brown, another character who doesn't fit the mold of the heroic canine forged by Lassie and Rin Tin Tin, because he says there might not be enough for the both of them. In fact, he leaves Brown to die of thirst in the desert and makes it back to town, where he finds that the local Marshal Frank Dollar has not only found the dead prospector after getting a tip and rescued Brown from sure death, but he also has a pretty good idea of what Blassingame dragged back to town in his saddle bags. But rather than admit the jig is up, Blassingame takes the marshal at knifepoint and then gunpoint and forces him to drive him to the Mexican border with Brown and the gold coins so that he can sneak across the border and live high off the stolen treasure. So at this point he has allowed greed to justify killing another man, abandoned his dog in the desert, and kidnapped a law officer to escape with stolen money. Hardly a resume worthy a western hero. In the end he comes to his senses when he sees that Brown will not be able to make it across the Mexican desert, and he returns back to the U.S. and hands the money over to the marshal who is patiently waiting for him. It's not clear why this time he decides to stay loyal to Brown when he was not before, perhaps further reflection made him realize the payoff would not be worth the price, but he is allowed to ride off scott free after turning over the money to Dollar, thereby perhaps avoiding the karma visited upon characters like Calvin Davis and Ben Prescott in other episodes. Whatever his rationale, Blassingame is a highly fallible character who doesn't always do right, unlike the other western heroes of 1960s television.

However, Peckinpah was too far ahead of his time. A show like The Westerner would fit nicely alongside more recent television dramas like The Sopranos and Breaking Bad, but in 1960 it was too dark and failed to connect with a public used to more shine and polish rather than grit. It didn't help being shown in the same time slot as the popular Route 66 and The Flintstones. The series was canceled after 13 episodes, and when shown in syndication thereafter was lumped with other more common fare such as Black Saddle with inane introductory commentary by Keenan Wynn. But Peckinpah's association with Brian Keith paid off because the latter got Peckinpah assigned as director for his next feature film The Deadly Companions in 1961. Peckinpah revisited The Westerner  in a 2-part episode of Dick Powell Theater in 1962. Now with its release on DVD, present-day viewers can finally see why this short-lived series has such a vaunted reputation.

Most of the music for The Westerner was composed by Herschel Burke Gilbert, whose biography can be found in the 1960 post for The Rifleman.

The complete series has been released on DVD by Shout!Factory.

The Actors

Brian Keith

Robert Alba Keith was born in Bayonne, New Jersey in 1921. His parents were both actors on the stage and they brought him with them during their performances. After they divorced, Keith lived with his father and stepmother, actress Peg Entwistle, in Hollywood, appearing in his first film at age 3 in the silent feature Pied Piper Malone. Entwistle famously committed suicide by jumping from the "H" in the Hollywood sign in 1932, and Keith would be raised by his grandmother in Long Island, New York, where he graduated from high school in 1939. He served in the Marines during World War II as an airplane machine gunner and received an Air Medal, but when he applied for an officer's commission with the Merchant Marine in 1945, he was turned down because of poor algebra scores. After his military service he worked in stock theater, on radio, and for carnivals before moving to Hollywood, where he made his first uncredited film appearance in 1947. By 1951 he was appearing on television series such as Hands of Mystery and Shadow of the Cloak. He made his first credited feature film in 1953's Arrowhead and continued to balance feature film roles and TV guest spots until landing his first starring television role as reporter Matt Anders in Crusader, which ran from 1955-56. He continued making numerous appearances on drama anthologies such as Studio 57 as well as feature films such as Chicago Confidential, Violent Road, Desert Hell, and Villa! through the remainder of the 1950s before being cast as Dave Blassingame on The Westerner.

Besides getting Sam Peckinpah his first feature film directing job in The Deadly Companions in 1961, Keith starred opposite Maureen O'Hara and Hayley Mills in Disney's 1961 comedy The Parent Trap, showing that he could handle comic roles as well as drama. Thereafter he became a Disney regular, appearing in Moon Pilot(1962), Savage Sam (1963), A Tiger Walks (1964), and Those Callaways (1965). The following year made him a household name when he was cast as Uncle Bill Davis on Family Affair, though he also appeared in such notable features as Nevada Smith and The Russians Are Coming! The Russians Are Coming! in 1966. Family Affair ran for 5 seasons, but Keith continued to maintain a steady workload in feature films such as Reflections in a Golden Eye, With Six You Get Eggroll, and Krakatoa: East of Java. Yet he is said to have turned down a role in Peckinpah's masterpiece The Wild Bunch because it conflicted with his work on Family Affair. Disappointed at the series' cancellation in 1971, Keith nevertheless was never out of work, landing the Hawaii-based doctor series The Brian Keith Show from 1972-74, followed by the very brief The Zoo Gang in 1974 and Archer in 1975. In 1975 he also played Theodore Roosevelt in the acclaimed feature The Wind and the Lion. He had four appearances on the TV series How the West Was Won and played Sheriff Axel Dumire on the mini-series Centennial to close out the 1970s. In 1983 he scored another major TV role as retired Judge Milton C. Hardcastle on the popular Hardcastle & McCormick, followed by the role of Prof. Roland G. Duncan on Pursuit of Happiness in 1987-88 and as B.L. McCutcheon on Heartland in 1989. Then came the role of Walter Collins on Walter & Emily in 1991-92 as well as a host of other TV guest spots on shows as diverse as Star Trek: Deep Space Nine, Touched by an Angel, and Walker, Texas Ranger as well as an assortment of minor feature roles. Suffering from emphysema and terminal lung cancer, Keith committed suicide on June 24, 1997 at age 75, two months after his 27-year-old daughter Daisy had committed suicide.

Notable Guest Stars

Season 1, Episode 1, "Jeff": Diana Millay (shown on the left, played Laura Collins on Dark Shadows) plays Blassingame's childhood girlfriend Jeff. Geoffrey Toone (Steve Gardiner in The Odd Man, Jacques Charlustin on Contract to Kill, Sergeant Baines on 199 Park Lane, and Von Gelb on Freewheelers) plays former boxer Denny Lipp. Michael Greene (Deputy Vance Porter on The Dakotas) plays abusive drunk Waggoner. Warren Oates (starred in In the Heat of the Night, The Wild Bunch, and Stripes and played Ves Painter on Stoney Burke) plays a drunk. Marie Selland (wife of director Sam Peckinpah) plays evangelist Glorie.

Season 1, Episode 2, "School Days": Margaret Field (mother of actress Sally Field) plays school teacher Eleanor Larson. R.G. Armstrong (shown on the right, played Police Capt. McAllister on T.H.E. Cat and Lewis Vendredi on Friday the 13th) plays her admirer Shell Davidson. John Anderson (see the biography section for the 1960 post on The Life and Legend of Wyatt Earp) plays her killer's brother Leth Ritchie. Richard Rust (Hank Tabor on Sam Benedict) plays local lawman Deputy Tyson. William Mims (see the biography section for the 1960 post on The Life and Legend of Wyatt Earp) plays posse member Ray Huff. Bill Quinn (see the biography section for the 1961 post on The Rifleman) plays posse member Ted Manning. Dub Taylor (starred in You Can't Take It With You, Bonnie & Clyde, and The Wild Bunch, played Cannonball in 53 western films, and played Wallie Simms on Casey Jones, Mitch Brady on Hazel, and Ed Hewley on Please Don't Eat the Daisies) plays posse member Walt Smith.

Season 1, Episode 3, "Brown": John Dehner (shown on the left, played Duke Williams on The Roaring '20's, Commodore Cecil Wyntoon on The Baileys of Balboa, Morgan Starr on The Virginian, Cyril Bennett on The Doris Day Show, Dr. Charles Cleveland Claver on The New Temperatures Rising Show, Barrett Fears on Big Hawaii, Marshal Edge Troy on Young Maverick, Lt. Joseph Broggi on Enos, Hadden Marshall on Bare Essence, and Billy Joe Erskine on The Colbys) plays con man Burgundy Smith. Harry Swoger (Harry the bartender on The Big Valley) plays South Fork Sheriff Tom Lacette. Conlan Carter (C.E. Caruthers on The Law and Mr. Jones and Doc on Combat!) plays his jail keeper Mead. Victor Izay (starred in Dr. Sex, The Astro-Zombies, and Blood Orgy of the She-Devils and played Judge Simmons on The D.A., Bull on Gunsmoke, and Dr. Matthew Vance on The Waltons) plays the bartender.

Season 1, Episode 4, "Mrs. Kennedy": Paul Richards (appeared in Playgirl and Beneath the Planet of the Apes and played Louis Kassoff on The Lawless Years) plays poor dirt farmer Marsh Kennedy. 

Season 1, Episode 5, "Dos Pinos": Jean Willes (shown on the right, appeared in Invasion of the Body Snatchers, Ocean's 11, and Gypsy) plays cantina owner Sal. Adam Williams (appeared in Flying Leathernecks, The Big Heat, Fear Strikes Out, and North by Northwest) plays cattle worker Pauk. Warren Tufts (voiced Captain Fathom on Captain Fathom, and worked on animation for Space Angel, Jonny Quest, The New 3 Stooges, Sealab 2020, Challenge of the Superfriends, and Spider-Man and His Amazing Friends)  plays his accomplice Gator. Malcolm Atterbury (starred in I Was a Teenage Werewolf, The Birds, and The Learning Tree and played John Bixby on Wagon Train and Grandfather Aldon on Apple's Way) plays Dos Pinos sheriff Andy. Marie Selland (see "Jeff" above) plays an injured man's wife Jenny. Marianna Hill (appeared in Roustabout, Paradise, Hawaiian Style, The Godfather: Part II, and High Plains Drifter and played Rita on The Tall Man) plays saloon girl Cora.

Season 1, Episode 6, "The Courting of Libby": Joan O'Brien (shown on the left, starred in Operation Petticoat, The Alamo, It Happened at the World's Fair,  and It'$ Only Money) plays Blassingame's love interest Libby Lorraine. John Dehner (see "Brown" above) returns as Burgundy Smith. 

Season 1, Episode 7, "Treasure": Arthur Hunnicutt (starred in The Red Badge of Courage, The Last Command, The Cardinal, and Cat Ballou) plays an old prospector. Malcolm Atterbury (see "Dos Pinos" above) plays Dos Pinos Marshal Frank Dollar. 

Season 1, Episode 8, "The Old Man": Sam Jaffe (shown on the right, starred in Lost Horizon, Gunga Din, The Asphalt Jungle, and Ben-Hur and played Dr. David Zorba on Ben Casey) plays dying patriarch Tyler McKeen. Frank Ferguson (Gus Broeberg on My Friend Flicka, Eli Carson on Peyton Place, and Dr. Barton Stuart on Petticoat Junction) plays his son Stuart. Dee Pollock (Billy Urchin on Gunslinger) plays his grandson Billy. Robert J. Wilke (appeared in Best of the Badmen, High Noon, The Far Country, and Night Passage and played Capt. Mendoza on Zorro) plays covetous relative Murdo McKeen. Michael Forest (starred in Ski Troop Attack, Atlas, and The Glory Guys and was the voice of Capt. Dorai on Street Fighter II: V and Olympus on Power Rangers Lightspeed Rescue) plays his partner Troy McKeen. Marie Selland (see "Jeff" above) plays distant relative Addie McKeen.

Season 1, Episode 9, "Ghost of a Chance": Joseph Wiseman (shown on the left, starred in Detective Story, Viva Zapata!, Les Miserables (1952), Dr. No, and The Valachi Papers and played Manny Weisbord on Crime Story) plays Mexican bandito Serafin. Roberto Contreras (Pedro on The High Chapparal) plays one of his henchmen Pedro. Katy Jurado (appeared in High Noon, Arrowhead, Trapeze, and One-Eyed Jacks and played Rosa Maria Rivera on a.k.a. Pablo and Justina on Te sigo amando) plays bar hostess Carlotta Jimenez. 

Season 1, Episode 10, "Line Camp": Karl Swenson (Lars Hanson on Little House on the Prairie) plays camp foreman Ben Potts. Robert Culp (shown on the right, starred in Sunday in New York, Bob & Carol & Ted & Alice, and Breaking Point and played Hoby Gilman on Trackdown, Kelly Robinson on I Spy, Bill Maxwell on The Greatest American Hero, and Warren on Everybody Loves Raymond) plays wrangler Ben Prescott. Slim Pickens (starred in The Story of Will Rogers, Dr. Strangelove, Blazing Saddles, The Apple Dumpling Gang, Beyond the Poseidon Adventure, and The Howling and played Slim on Outlaws, Slim Walker on The Wide Country, California Joe Milner on Custer, and Sgt. Beauregard Wiley on B.J. & the Bear) plays camp cook Oscar Hudson. Hari Rhodes (Mike Makula on Daktari, D.A. William Washburn on The Bold Ones: The Protectors, and Mayor Dan Stoddard on Most Wanted) plays wrangler Jones. Hank Patterson (Fred Ziffel on Green Acres and Petticoat Junction and Hank on Gunsmoke) plays hunter Sample.

Season 1, Episode 11, "Going Home": Virginia Gregg (starred in Dragnet, Crime in the Streets, Operation Petticoat and was the voice of Norma Bates in Psycho and was the voice of Maggie Belle Klaxon on Calvin and the Colonel) plays wanted outlaw's mother Sabetha. Mary Murphy (appeared in The Wild One, Beachhead, The Mad Magician, The Desperate Hours, and Junior Bonner) plays outlaw's wife Suzy. Jack Kruschen (appeared in The War of the Worlds, The Apartment, Lover Come Back, and Freebie and the Bean and played Tully on Hong Kong, Sam Markowitz on Busting Loose, Papa Papadapolis on Webster, and Fred Avery on Material World) plays lawman Rigdon. 

Season 1, Episode 12, "Hand on the Gun": Michael Ansara (shown on the left, appeared in Julius Caesar, The Robe, Voyage to the Bottom of the Sea, and Harum Scarum, played Cochise on Broken Arrow and Deputy U.S. Marshal Sam Buckhart on The Rifleman and the Law of the Plainsman, and voiced General Warhawk on Rambo) plays Blassingame's fellow wrangler Oresquote Solera. Ben Cooper (appeared in Johnny Guitar, The Rose Tattoo, and Support Your Local Gunfighter and played Waverly on The Misadventures of Sheriff Lobo and the Director on The Fall Guy) plays eastern tenderfoot Calvin Davis. John Pickard (Capt. Shank Adams on Boots and Saddles and Sgt. Maj. Murdock on Gunslinger) plays disgruntled wrangler Mazo. 

Season 1, Episode 13, "The Painting": John Dehner (see "Brown" above) returns as Burgundy Smith. Madlyn Rhue (shown on the right, played Marjorie Grant on Bracken's World, Angela Schwartz on Fame, and Hilary Mason/Madison on Executive Suite) plays painting subject Carla de Castiliano. Paul Sorensen (Andy Bradley on Dallas) plays painting seeker Walker.

Father Knows Best (1960)

Perhaps no other family-based situation comedy from the 1950's fits the stereotype of the sage parents doling out much-needed wisdom to their squeaky-clean but occasionally misguided children quite like Father Knows Best, set in an alternate universe where serious issues include which boy to date, trading fair with friends from the neighborhood, and what the neighbors will think about mother's housekeeping. The series began on radio in 1949 with Robert Young in the title role but with an entirely different cast from the TV version and a question mark at the end of the title. Young's character in the radio version was more acerbic, even resorting to calling his children "stupid" at times. The show was piloted for television on the May 27, 1954 episode of The Ford Television Theatre with Young again in the title role and another different cast for the rest of the family. The series then began its regular run on October 3, 1954 with Young again as father and insurance salesman Jim Anderson, Jane Wyatt as his wife Margaret, Elinor Donahue as older daughter Betty, Billy Gray as son Bud, or James Anderson, Jr., and Lauren Chapin as younger daughter Kathy. The family lived in the mythical midwest town of Springfield (Simpsons fans will note the irony). The series was not an immediate success, and its original sponsor, Kent Cigarettes, was disappointed with poor ratings and dropped it after one season on CBS. However, a popular outcry of support persuaded Scott Paper Company and NBC to pick up the series the next fall and the show ran for another five seasons, ending in May 1960. The show's ratings also improved with each season so that by the final season it ranked number 6 overall. Despite the show's momentum, Young in particular was ready for a change, but the show continued to run in prime-time repeats for another three years.

In the television version of the show, Young's character is much more understanding and wise, though he occasionally makes mistakes.  In "Time to Retire" (March 7, 1960), Jim is assigned by the home office to tell long-time colleague and friend Arthur Higgins that he must retire from the company on his 65th birthday, per company policy. But because he is such good friend with Higgins, he tries to soften the blow by inviting him over for a family dinner, giving him a lavish fishing set as a birthday present, and having Margaret bake him a scrumptious birthday cake. Every time during the evening when he is about to break the news to Higgins, Jim puts it off, thinking the moment isn't quite right, and thus never tells him, leaving the job to his secretary Miss Thomas, who accidentally lets it slip when Higgins gets to work before Jim the next morning. His sentimentality and dithering cause him to evade his professional responsibility. It falls to Bud to go off and find Higgins, who has run off to brood, and bring him around to see that the end of his work at Jim's insurance company is actually an opportunity for a new career by starting a competing business. But these slip-ups are few and far between. More often, Jim is the voice of reason and discipline when his children want to make unwise choices.

However, the number of times that the Anderson children are mean, unfair, or deceitful makes one wonder how effective Jim and Margaret are as parents. In "Blind Date" (April 18, 1960) Betty is incensed when classmates set her up on a blind date with clumsy hayseed Rudy Kissler and she retaliates against them by acting as though she is happy to date him, leading him on as she goes with him to every school function thereafter until he honestly tells her he loves her, then is devastated when he finds out from her prankster classmates that their whole relationship is based on a gag. Her treatment of Rudy as a mere tool to exact revenge on her classmates hardly shows the signs of a virtuous upbringing. And Bud doesn't give a second thought to running up a huge hotel bill when he is away from home on a debate team trip merely to impress a girl in "Bud Lives It Up" (May 9, 1960), until he gets caught and faces expulsion from school. Kathy also gives in to innate greed when she destroys the photograph of another family who are competing for a free trip to Hawaii so that they won't make the contest deadline in "Family Contest" (April 4, 1960). All of these episodes become teaching moments for Jim, but one has to wonder why his children continue to make such poor choices when they are college and junior high school students. In fact, the other children and young adults that the Anderson brood come in conflict with are often much more mature, but then, if the Andersons were better behaved, their father wouldn't have weekly opportunities to show his brilliance.

Despite co-producer Eugene Rodney's belief in the series--he once stated that any TV writer who didn't get misty eyed at the thought of a young girl putting a baby bird back in its nest would never work for him--Young had grown tired of the grind of producing a weekly series, at least by season 5, and was the principal reason the series ended after its sixth season. In the producers' official press release, reprinted in its entirety in the May 28, 1960 issue of TV Guide, Rodney and Young stated there were several reasons behind their decision to end the series. First and foremost was the fact that the children had grown up and would naturally be leaving home, thus destroying the rationale for the series and making the title absurd. And yet, other family-based series--The Adventures of Ozzie and Harriet and My Three Sons--wound up running much longer and found ways to evolve the family dynamics to make sense. In fact, given that Rodney and Young had discussed ending the show a full year before they actually did, they wound up doing a poor job in bringing the series to closure. The last 20 episodes, which aired in calendar year 1960, included four episodes that were mere flashbacks, consisting largely of footage from episodes aired years earlier with snippets at beginning and end of the characters circa 1960 saying in effect, "remember the time that so-and-so did such-and-such?" Despite the producers' claim that the series was an "organic" living, growing thing, the series has little continuity from one episode to the next; the episodes, like most series of the era, are self-contained. For example, in their parting press release, the producers say they considered having the older daughter, Betty, get married, and in "Betty's Career Problem" (April 25, 1960) that seems to be what they suggest: Betty has apparently had a competition going for some years with classmate Cliff Bowman (whom we've never heard of before). But when they both compete for the same assistant buyer's job at a local department store, Betty realizes that she really doesn't want a career but rather a husband, and when she is dressed as a bride in the department store's fashion show, with Clifford playing the groom, she tells him there is something she is better at than he is--being a bride. When they kiss, an elderly lady in the audience says it seems real, and Jim replies that it is. When the woman asks how he would know that, Margaret says that he is the father of the bride. Yet in the very next episode, "Bud Lives It Up," Betty is back in college and dating the head of the school debate team.

The second reason that Rodney and Young gave for canceling the series was that they had gone higher in the ratings with each successive season and they did not want fall back and slide into mediocrity. As mentioned above, the show did make it all the way up to the 6th spot in the 1959-60 season, which would have been hard to top in the coming years. But a couple of the episodes in that last season also seem to suggest that the producers were unhappy with the way the show was being characterized and were concerned about its legacy. In "Togetherness" (January 25, 1960), Jim is selected to be the subject of an insurance industry magazine article about how a thriving family life helps make an insurance salesman more successful. Only the reporter sent to Springfield by the magazine finds that the Andersons do not at all fit the stereotypical mold of familial togetherness. In fact, the reporter decides to write an entirely different story until at the very end he comes in on all of the family members pitching in to help Bud out of a mess he'd gotten into at school. Still, the article says that the family has their own brand of togetherness that doesn't fit the usual pattern, and Jim and Bud both remark after reading the finished article that they are glad it didn't make them look sappy. And yet the team effort at the end of the episode and the way all the loose ends are tied up neatly by episode's end is the very definition of TV family sappiness. In "Jim's Big Surprise" (February 29, 1960), Jim tells the family that he has a big surprise to announce later that afternoon and makes them all reconvene to hear the news at 4:00. Each of them imagines that the surprise is some kind of financial windfall that will please them personally, and they are initially disappointed to learn that it is only that Jim has been named Father of the Year by the Chamber of Commerce. After being shamed by Margaret for being so selfish, they rally to give Jim a special dinner before he and Margaret go to the award ceremony, with each of the children giving him a present of some achievement they have earned as the result of his fatherly guidance. Jim sums things up by saying that they may not be the richest family, but they are surely the most normal. While he may be correct that his children are normal in being self-serving on first impulse, the Andersons are more the epitome of squeaky clean morality than the definition of normal. In both of these episodes, it's as if Rodney and Young are trying to tell the viewers that the Andersons are just plain folks, with all the faults and blemishes of the average American family, rather than the standard that all families should aspire to. But contrasting the characters' on-screen behavior with the real lives of the actors who played them shows how far from normal the series actually was.

The sweeping orchestral theme song, with spoken voice over announcing the main actors, was composed by Indiana clarinetist Irving Friedman, who began playing in New York jazz bands back in the 1920s, including time in Paul Whiteman's orchestra. After appearing in the Whiteman film King of Jazz, Friedman decided to stay in Hollywood and formed one of the first regular studio orchestras for Warner Brothers, becoming head of the group in 1934. He moved over to MGM in 1943, then on to Eagle-Lion three years later. Eventually he formed his own music company, Primrose, which he ran while working as music supervisor on Father Knows Best, until finally selling it when he retired in 1963. He also served as music supervisor on The Range Rider, The Gene Autry Show, Captain Midnight, Tate, Dennis the Menace, The Donna Reed Show, and Hazel. He died November 21, 1981 at the age of 82.

A fan web site with a wealth of information and photos from the series can be found at fatherknowsbest.com.

All six seasons of the series have been released on DVD by Shout! Factoryhttp://www.shoutfactory.com/.

The Actors

Robert Young

The actor whom Louis B. Mayer once described as having "no sex appeal" was born in Chicago, grew up in California, and broke into movies in 1931 after being discovered by an MGM talent scout while touring with a theatre stock company. Young's first appearance was in a Charlie Chan movie and his early career included being an extra in Keystone Cops movies. He had an extremely prolific career in films through the 30s and 40s, appearing mostly in B grade films or in supporting roles. However, he had a few juicier parts, such as in Alfred Hitchcock's Secret Agent, in the first Mr. Belvedere film Sitting Pretty, The Enchanted Cottage, and H.M. Pulham, Esq., but by the end of the 40s the number of roles began to wane and he switched to radio with Father Knows Best in 1949. After five years on radio, the series moved to television with Young the only actor from the original cast that made the transition to the small screen.

Despite Young's desire to leave the series in 1960, he was back on the air with a new series in the fall of 1961 titled Window on Main Street, which unfortunately lasted only a single season. After that disappointment, Young had scant film and TV appearances throughout much of the rest of the 1960s as Young, a nearly lifelong alcoholic and clinically depressed, suffered a nervous breakdown in 1966. However, he triumphantly returned to television in the fall of 1969 in the lead role of Marcus Welby, M.D., which ran for seven seasons. After the series ended, he did two Father Knows Best reunion TV movies in 1977 and two Marcus Welby reunion TV movies in 1984 and 1988, retiring from acting after the last of these. He unsuccessfully attempted suicide in 1991, the same year in which he reportedly recovered from his 45-year bout with depression. He died of respiratory failure on July 21, 1998 at the age of 91.

Jane Wyatt

Born in New Jersey and raised in New York City, Wyatt was the daughter of an investment banker and a drama critic in a family that traced its roots back to Rufus King, one of the original signers of the U.S. Constitution. She was also distantly related to Eleanor Roosevelt. After college she joined the apprentice school of a theatre group in Stockbridge, MA; she eventually made her way to Broadway and from there was signed to a movie contract by Universal Pictures, making her film debut in 1934. Amongst her most notable roles were the female leads in Lost Horizon, Gentleman's Agreement, and None But the Lonely Heart. Her career suffered in the 1950s because of her vocal opposition to the tactics of Communist hunter Senator Joe McCarthy, and she was considered suspicious for hosting a performance by the Bolshoi Ballet during World War II, though she did so under instruction from President Roosevelt. Though she had roughly a dozen TV theatre anthology shows in the 1950s, Father Knows Best was her first regular role on the small screen, a role for which she won three Emmy Awards.

After the series ended its 6-year run, Wyatt had several guest appearances on various TV shows and an occasional film role throughout the 1960s, though none more notable than her appearance as Spock's human mother in the Star Trek episode "Journey to Babel," a role she reprised in Star Trek IV: The Voyage Home in 1986. In the 1980s she also had a recurring role as Katherine Auschlander on St. Elsewhere, and her last television appearance came in a 1992 episode of The Young Indiana Jones Chronicles. She died of natural causes October 20, 2006 at the age of 96.

Elinor Donahue

Born in Tacoma, WA, Donahue's mother was a theatrical costumer who had her taking tap dance lessons from the age of 16 months. By age 5 she was signed by Universal to appear in dance choruses. At age 15 she appeared in a supporting role in the Elizabeth Taylor film Love Is Better Than Ever, and the next year she was a musical judge on the ABC television program Jukebox Jury. But her big break came being cast as the Anderson's elder daughter Betty on Father Knows Best at age 17 in 1954. In a January 9, 1960 cover story for TV Guide, Donahue revealed that her chance at the Father Knows Best role came after she broke her ankle and was unable to travel to Las Vegas as part of a chorus line. By the time the TV Guide article appeared, Donahue, then 22, had been married and divorced from sound technician Richard Smith and was living with her mother and 3-year-old son Brian. She would soon thereafter marry Father Knows Best executive producer Harry Ackerman, 25 years older than her, with the marriage lasting until his death in 1991.

After Father Knows Best ended, Donahue was immediately snapped up to play Andy Griffith's love interest as Ellie Walker in the first season of The Andy Griffith Show, but she decided to leave the show after its first season despite having originally signed a 3-year contract. She has had a busy acting career ever since: besides the occasional guest appearances on various TV shows and an occasional film role, she played Joan Randall on the series Many Happy Returns in 1964-65, Dr. Jennifer Ethrington in The Flying Nun in 1968-70, Miriam Welby on The Odd Couple from 1972-75, Jane Mulligan on Mulligan's Stew in 1977, Susan Baxter on Beans Baxter in 1987, Chris Elliott's character's mother Gladys Peterson on Get a Life from 1990-92, Jane Seymour's mother Rebecca Quinn on Dr. Quinn, Medicine Woman from 1993-1997, and most recently Judge Marie Anderson on The Young and the Restless in 2010-2011. In 1998, she published In the Kitchen With Elinor Donahue, which recounted her memories from her acting career along with 150 of her favorite recipes. She is currently married to her third husband, since 1992, contractor Louis Genevrino.

Billy Gray

Gray was born in Hollywood; his mother, an actress often uncredited, had him appearing in films from the age of 5 when he had a bit part in Abbot and Costello Meet Frankenstein. Amongst his most notable early film appearances are in the Doris Day musical On Moonlight Bay, playing Jim Thorpe as a child in Jim Thorpe -- All American, and as the young boy Bobby Benson befriended by alien Klaatu in The Day the Earth Stood Still. He also began making television appearances in 1950 and was slated to play the role of Tagg Oakley on Annie Oakley before the role as Bud Anderson on Father Knows Best came along. Despite his good fortune as a result of the series, keeping in contact with the other cast members after the series ended, and appearing in the two reunion TV movies in 1977, Gray blasted the series in a 1983 interview:

"I wish there was some way I could tell the kids not to believe it. The dialogue, the situations, the characters ­ they were all totally false. The show did everyone a disservice. The girls were always trained to use their feminine wiles, to pretend to be helpless to attract men. The show contributed to a lot of the problems between men and women that we see today. . . . I think we were all well motivated, but what we did was run a hoax. 'Father Knows Best' purported to be a reasonable facsimile of life. And the bad thing is, the model is so deceitful. It usually revolved around not wanting to tell the truth, either out of embarrassment, or not wanting to hurt someone. If I could say anything to make up for all the years I lent myself to (that), it would be, 'You Know Best.'"

After the series ended, he made several guest appearances on various TV shows, but his career suffered a setback in 1962 when he was arrested for marijuana possession. When he appeared as a heroin dealer in the 1971 film Dusty and Sweets Magee, famous film critic Leonard Maltin reported that Gray had been recruited for the role by actual drug dealers and addicts and continued publishing this information in his popular film guide for two decades until Gray sued him and won. Besides his acting career, Gray has been a dirt bike racing competitor and an inventor, creating such items as a self-massager, unique guitar pick, and a candle holder for jack o'lanterns. He is currently a promoter for the revival of Class A dirt bike racing.

Lauren Chapin

Chapin, born in Los Angeles, lived through a child actor's hell, being the daughter of an alcoholic mother and a sexual predator father, as detailed in her autobiography Father Does Know Best. She was sexually abused by her father as early as age 3, but after her parents divorced due to her mother's alcoholism, she ran away to live with him again at age 11 because she couldn't stand life with her mother. Living with father the second time was no better as he resumed the sexual abuse, causing her to run away again and marry a boy she didn't love. From there she descended into heroin addiction, prostitution and jail time. Consequently, other than her years on Father Knows Best and its reunions, Chapin's acting career is sparse. She won five Jr. Emmy's as best child actress for her role as Kathy Anderson. Producer Eugene Rodney once remarked that she was cast for the role because she had little previous acting experience, which he felt caused her performance to appear more natural.

She is now a manager for actors and singers, performs in a version of Father Knows Best on cruise ships, is a licensed and ordained Christian evangelist, and an advocate for the state of Israel. She also sells memorabilia from her television days on her web site laurenchapin.com.

Notable Guest Stars

Season 6, Episode 15, "Bud Hides Behind a Skirt": Forrest Lewis (Mr. Peavey on The Great Gildersleeve) plays an unnamed traffic court clerk. Bob Anderson (Park Street, Jr. on The Court of Last Resort and Aeneas MacLinahan on Wichita Town) plays a traffic cop. Larry Gates (starred in Invasion of the Body Snatchers, Cat on a Hot Tin Roof, Some Came Running, The Sand Pebbles, and In the Heat of the Night and played Harlan Billy Lewis on Guiding Light) plays a judge. 

Season 6, Episode 16, "Togetherness": Don Keefer (shown on the left, starred in Death of a Salesman, Hellcats of the Navy, and Sleeper and played George on Angel) plays magazine reporter Mel Buford. 

Season 6, Episode 17, " Second Best": Billy Hummert (Cornell Clayton on Margie) plays little boy Gordon. Ralph Faulkner (played Woodrow Wilson in three 1918 films and was fight choreographer for The Three Musketeers (1935), Captain Blood, and Zorro's Fighting Legion) plays Betty's fencing instructor.

Season 6, Episode 18, "Kathy's Big Deception": Reba Waters (Francesca on Peck's Bad Girl) plays Kathy's friend Patty.

Season 6, Episode 19, "Cupid Knows Best": Katina Paxinou (shown on the right, Greek actress who won the 1944 Oscar for Best Supporting Actress in For Whom the Bell Tolls and also appeared in The Inheritance and Mourning Becomes Electra) plays flower shop owner Mama.

Season 6, Episode 20, "The Big Test": Jack Harris (starred in Burden of Truth, Squad Car, and Stakeout! and played the court clerk 8 times on Perry Mason) plays Bud's teacher Mr. Glover. 

Season 6, Episode 21, "Jim's Big Surprise": Marion Ross (shown on the left, played Marion Cunningham on Happy Days and Joanie Loves Chachi, Emily Heywod/Hayward on The Love Boat, Sophie Berger on Brooklyn Bridge, Beulah Carey on The Drew Carey Show, and the voice of Mrs. Lopart on Handy Manny) plays Kathy's diving instructor Miss Abrams. 

Season 6, Episode 22, "Time to Retire": Charles Ruggles (shown on the right, starred in Charley's Aunt, The Girl Habit, If I Had a Million, Alice in Wonderland, Ruggles of Red Gap, Bringing Up Baby, and Son of Flubber and played Lowell Redlings Farquhar on The Beverly Hillbillies) plays Jim's colleague Arthur Higgins. Sarah Selby (Aunt Gertrude on The Hardy Boys: The Mystery of the Applegate Treasure, Lucille Vanderlip on The George Burns and Gracie Allen Show, and Ma Smalley on Gunsmoke) plays Jim's secretary Miss Thomas. 

Season 6, Episode 23, "Bud, the Speculator": Jeffrey Silver (Rodney on The Charles Farrell Show and Jimmy Lloyd on The Bob Cummings Show) plays Bud's friend Eddie. 

Season 6, Episode 24, "The $500 Letter": Sarah Selby (see "Time to Retire" above) returns as Miss Thomas. 

Season 6, Episode 26, "Family Contest": Stuart Erwin (shown on the left, starred in Men Without Women, Make Me a Star, Women Are Trouble, and The Bride Came C.O.D. and played Stu Erwin on The Stu Erwin Show and Otto King on The Greatest Show on Earth) plays bakery co-owner Mr. Henslee. Hanna Landy (starred in Thunder Pass, Git!, In Like Flint, and Rosemary's Baby) plays his wife. 

Season 6, Episode 27, "Love and Learn": Diana Millay (shown on the right, played Laura Collins on Dark Shadows) plays Bud's tutor Nelda Fremont. 

Season 6, Episode 28, "Blind Date": Hampton Fancher (Deputy Lon Gillis on Black Saddle and co-wrote the screenplay and was executive producer on Blade Runner) plays clumsy waiter Rudy Kissler. Dick Gering (Johnny Green on Margie) plays dance M.C. Bob. 

Season 6, Episode 29, "Betty's Career Problem": Jim Hutton (shown on the left, starred in The Subterraneans, Where the Boys Are, The Honeymoon Machine, Bachelor in Paradise, Walk Don't Run, and The Green Berets and played Ellery Queen on Ellery Queen) plays Betty's nemesis Cliff Bowman. 

Season 6, Episode 30, "Bud Lives It Up": Skip Young (Wally Dipple on The Adventures of Ozzie and Harriet) plays Bud's debate teammate George Allison. 

Season 6, Episode 31, "Not His Type": Diana Millay (see "Love and Learn" above) plays Betty's best friend Diane. 

Season 6, Episode 32, "Betty's Graduation": Paul Brinegar (shown on the left, played Jim "Dog" Kelly on The Life and Legend of Wyatt Earp, Wishbone on Rawhide, Jelly Hoskins on Lancer, and Lamar Pettybone on Matt Houston) plays an unnamed delivery man.