Though it had hit the top 30 in the Nielsen ratings in its
first two seasons, reaching #24 in its 1957-58 debut and inching up to #21 the
next season, Sugarfoot was the first
of the three rotating Warner Brothers westerns to be canceled, with only 5
episodes airing in 1961, the last on April 17. Even though Bronco (hatched a year after Sugarfoot
to combat Clint Walker of Cheyenne in
his dispute with the studio's skin-flint practices) never reached the top 30,
it was kept around until 1962, the same year that Cheyenne bit the dust. But Warners didn't entirely abandon westerns
that year because they also launched a new series, The Dakotas, in the fall of 1962, though it lasted only a single
season. So it's unclear exactly why Sugarfoot
got the axe when it did.
Without evidence to the contrary, it appears that the
decision to cancel the series may have been an impulsive one. Warner Brothers
was still employing their crossover scheme of having Bronco's Ty Hardin guest star on Sugarfoot in the third-from-last episode "Angel" on March
6, 1961. The following week Will Hutchins' Tom Brewster character was featured
in the Bronco episode "Yankee
Tornado." The crossover scheme was intended to lure fans of one series to
watch the other series, so if Sugarfoot
were on the way out, it makes little sense to have Hutchins appear on Bronco a month before his show was to be
canceled. Secondly, the introduction of sidekick wannabe Toothy Thompson in the
January 16, 1961 episode of the same name hardly seems like a move for a dying
series. By the end of this episode Thompson is invited by Brewster to come
along on his adventures, seeming to set up a future duo for the series. He does
not appear in the next episode, "Shepherd With a Gun," but he does
return in the following episode "Angel," wherein we are left with the
reason why he will not continue accompanying Brewster--he chooses to stay
behind and attend to the wounded deaf-mute title character, the only woman who
ever showed him any kindness. In his memories of actor Jack Elam, who played
Toothy Thompson in both episodes, in his March 2008 column for the
westernclippings.com web site, Hutchins does not mention any plan to make Elam
a regular part of the cast. Hutchins merely says that since Elam was so good in
the first Toothy Thompson episode, he was invited back for a second appearance
(Warner Brothers obviously found something they liked because he was chosen as
one of the co-stars for The Dakotas).
But the ending of the first Toothy Thompson episode sure seems like he is
intended to be a future regular, and the ending of "Angel" seems like
an explanation for why the original partnership is ending. Who knows what
really happened behind the scenes amongst the Sugarfoot producers, but in an era when recurring characters were
discarded with little or no fanfare, Toothy Thompson is given an entire episode
to explain his departure.
But in speculating on the demise of Sugarfoot, the trope of Tom Brewster as itinerant cowboy law
student had certainly worn thin--in the last 5 episodes we never see him check
his mailbox for his latest school assignment--but he still uses his legal
studies to help solve the problems of the people he randomly chooses to help.
In "Shepherd With a Gun" (February 6, 1961) he notes that a will
bequeathing 2/3 of a man's ranch to his rapacious daughter had been witnessed
by two people who were not disinterested parties, rendering the will invalid
(however, a bill of sale in "Stranger in Town" [March 27, 1961]
suffers from the same defect but is not deemed invalid). And in the
aforementioned "Stranger in Town" episode Brewster learns of the
European custom of dating correspondence with the day of the month before the
month itself, thereby proving a letter from a dead Swedish mine owner to his
siblings in which he asks them to come to America to help run his mine is
actually dated after the bill of sale
transferring ownership of the mine to a greedy land-owner, meaning the bill of
sale is a forgery. In the series' final episode, "Trouble at Sand Springs"
(April 17, 1961), Brewster gets to try out his defense attorney skills in representing
an ex-con against a charge of murdering a bank president and cleaning out the
bank's safe. He is pitted against another law student, this one a woman, who is
the former girlfriend of the accused man, and as on Perry Mason it takes a last-minute discovery of new evidence to
save the day, which prompts the female law student to decide to give up her
career for the role of wife to the acquitted man, while Brewster is given her
tall stack of law books for his own future study. The concept of melding a Perry Mason-like legal drama with a
western was never a good one, but at least the show had a concept, unlike Bronco.
Hutchins, in his columns on westernclippings.com, has echoed
James Garner's criticisms of Warner Brothers for recycling scripts from their
movies and between their own shows. He has also called the stories melodramas,
and not as a compliment. But one episode that deserves special opprobrium is "Shepherd
With a Gun," written by Warren Douglas, who also authored the Toothy
Thompson episodes as well as multiple episodes for Cheyenne and Bronco. In
this episode Douglas wants to cast ranch foreman Simon Getty as the worst
possible villain, so he has him shoot the dog of two young shepherds Marie and
Pablo simply because they defy his command not to bring their sheep through
town. Depicting animal abuse to make a point, even in a fictional story, is
never a good idea. But here it is compounded when Pablo vows to take revenge,
while Marie cites the Old Testament's eye-for-an-eye policy, while Brewster
counsels them that taking a human's life is different than killing an animal
because a man's life is "sacred." He then urges them to look forward
rather than backward, in other words, sweep the murder of their beloved
companion under the rug. The problem here is the fallacy of speciesism--that
one species, humans, is elevated above all others and therefore are free to
abuse and exploit all other species. This is why Douglas can't show how evil
Getty is by having him shoot a baby or small child. The same "logic"
is used to elevate one race or religion above all others to justify abuse.
Douglas then ties his "logic" in knots by having Brewster explain to
Pablo that killing another man kills a part of you as well, that the gun
becomes a bigger and bigger part of you until you are always on edge, expecting
to be attacked, yet at the same time he admits that he has killed men himself,
so what does that say about him? And at episode's end when Pablo sneaks off
with the family rifle and heads to town with the intention of gunning down
Getty only to arrive after Brewster and two other men have beat him to the
punch, Pablo is shocked by the display of violence and thanks Brewster for the
valuable lesson that he will never forget. If only we could forget this
ill-conceived episode.
The Actors
For the biography of Will Hutchins, see the 1960 post for Sugarfoot.
Notable Guest Stars
Season 4, Episode 5, "Toothy
Thompson": Jack Elam (shown on the left, played Deputy J.D. Smith on The Dakotas, George Taggart on Temple
Houston, Zack Wheeler on The Texas
Wheelers, and Uncle Alvin Stevenson on Easy
Street) plays social reject Toothy Thompson. Gregory Morton (Mr. Wainwright
on Peyton Place and Walter Williams
on Ben Casey) plays corrupt Arizona
Territorial Governor Lee Dandridge. Richard Collier (Harry Price on Many Happy Returns) plays hotel owner
Alvin. Claude Stroud (Rudy Cromwell on The
Duke and Hobert Nalven on The Ted
Knight Show) plays a watch theft victim. Phil Tully (Charlie the bartender
on The Deputy) plays a bartender.
Season 4, Episode 6, "Shepherd
With a Gun": Linda Dangcil (shown on the right, played Sister Ana on The Flying Nun) plays shepherd's daughter Marie. Rafael Campos (Ramon
Diaz, Jr. on Rhoda) plays her brother
Pablo. Regis Toomey (starred in Alibi,
Other Men's Women, The Finger Points, His Girl Friday, and The Big
Sleep and played Joe Mulligan on The
Mickey Rooney Show, Lt. Manny Waldo on Four
Star Playhouse, Lt. McGough on Richard
Diamond, Private Detective, Det. Les Hart on Burke's Law, and Dr. Barton Stuart on Petticoat Junction and Green
Acres) plays weak ranch owner John Peel. Nancy Hadley (Marilee Dorf on The Brothers and Barbara Simpson on The Joey Bishop Show) plays his daughter
Mattie. Don Haggerty (Jeffrey Jones on The
Files of Jeffrey Jones, Eddie Drake on The
Cases of Eddie Drake, Sheriff Dan Elder on State Trooper, and Marsh Murdock on The Life and Legend of Wyatt Earp) plays his foreman Simon Getty. William
Joyce (Kellam Chandler on Days of Our
Lives) plays ranch hand Tex.
Season 4, Episode 7, "Angel":
Cathy O'Donnell (shown on the left, starred in The Best
Years of Our Lives, They Live by
Night, Detective Story, The Man From Laramie, The Deerslayer, and Ben-Hur) plays prospector's deaf-mute daughter Angel Wilson. Jack
Elam (see "Toothy Thompson" above) returns as misfit Toothy Thompson.
Bruce Gordon (see the biography section for the 1961 post on The Untouchables) plays Leadville,
Colorado kingpin Jake Ellis. John Pickard (Capt. Shank Adams on Boots and Saddles and Sgt. Maj. Murdock
on Gunslinger) plays his sidekick
Windy Creel. Frank Albertson (starred in Alice
Adams, Man Made Monster, and It's a Wonderful Life and played Mr. Cooper
on Bringing Up Buddy) plays Leadville
Sheriff Billy Boyce. Max Baer, Jr. (Jethro and Jethrine Bodine on The Beverly Hillbillies) plays deputy
recruit Frank. Percy Helton (Homer Cratchit on The Beverly Hillbillies) plays rich land-owner John McTavish. Ann
Robinson (starred in The War of the
Worlds, Dragnet, and Midnight Movie Massacre and played Queen
Juliandra on Rocky Jones, Space Ranger
and Helen Watkins on Fury) plays his
wife Marie. Ty Hardin (see the biography section for the 1960 post on Bronco) plays Brewster's friend and
fellow deputy recruit Bronco Layne.
Season 4, Episode 8, "Stranger
in Town": Jacques Aubuchon (shown on the right, starred in The
Silver Chalice, The Big Boodle,
and The Love God? and played Chief
Urulu on McHale's Navy) plays wealthy
land-owner Harry Bishop. Richard H. Cutting (Manners, the tiny butler in 1950s
Kleenex commercials) plays his gunman Vester. Harry Holcombe (appeared in The Fortune Cookie, The Unsinkable Molly Brown, Foxy
Brown, Escape to Witch Mountain,
and Empire of the Ants and played
Frank Gardner on Search for Tomorrow,
Doc Benson on My Mother the Car, Mr.
Kendricks on Barefoot in the Park,
and Dr. J.P. Martin on Bonanza) plays
renowned Judge Harry Davis. Kenneth MacDonald (played the judge 32 times on Perry Mason, played Col. Parker on Colt
.45, and appeared in several Three Stooges shorts) plays a small-town
sheriff. Mary Adams (see the biography section for the 1961 post on Window on Main Street) plays a doctor's
wife Mrs. Turner.
Season 4, Episode 9, "Trouble
at Sand Springs": Craig Hill (shown on the left, appeared in Detective Story, Tammy and
the Bachelor, and The Swinger and
played P.T. Moore on Whirlybirds)
plays ex-con rancher Rance Benbow. Harry Lauter (Ranger Clay Morgan on Tales of the Texas Rangers, Atlasande on
Rocky Jones, Space Ranger, and Jim
Herrick on Waterfront) plays his brother
Bart. Tommy Rettig (Jeff Miller on Lassie)
plays their kid brother Jimmy. Dayton Lummis (Marshal Andy Morrison on Law of the Plainsman) plays bank
president Silas Rigsby. Suzanne Storrs (Janet Halloran on Naked City) plays his daughter Rhonda. Ross Elliott (Freddie the
director on The Jack Benny Program and
Sheriff Abbott on The Virginian)
plays bank teller Jeff Hackett.
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