Wednesday, December 25, 2024

Going My Way (1962)

 

Going My Way was hardly the first television series based on a popular feature film, and while these type of adaptations probably have had a higher miss (Mr. Lucky) to hit (Dr. Kildare) ratio, the TV series version of Going My Way had a major movie star in Gene Kelly and a successful producer in Joe Connelly (Amos 'n' Andy, Leave It to Beaver) behind it. However, what it didn't have was a good time slot on the TV schedule, being pitted against new megahits The Beverly Hillbillies and The Virginian as well as old favorites The Many Loves of Dobie Gillis and Perry Como's Kraft Music Hall. It may have also been limited in mass appeal by its subject matter--a pair of Roman Catholic priests in a poor New York City neighborhood. But Connelly and his writers largely stayed away from the vagaries of Catholicism or religion in general, as most episodes revolve around common everyday problems of ordinary people, which the priests are often asked to help resolve.

The debut episode, however, centers around one of the priests, the elder mentor Father Fitzgibbon, portrayed by veteran character actor Leo G. Carroll, who stereotypically comes from Ireland and has always had a yen to return to the idyllic homeland he remembers. He appears to get that chance after a group of parishioners decide to fund-raise for his trip, bolstered by a Polish pawnbroker who chips in a hefty sum but insists that it must be used for the trip only. Things get complicated when the younger priest, Father O'Malley, portrayed by Kelly, learns from a recent visitor to Ireland that Fitzgibbon's idyllic homeland has been paved over for commercial enterprises, which will surely ruin his trip home. After a long, serious discussion with the pawnbroker, Fitzgibbon is able to persuade him to allow the donated money to help a young Irish lad, with big dreams about America's promise, to emigrate to the U.S., thereby focusing on the future rather than Fitzgibbon's memory of the past. While the episode manages to make a decent point about the mirage of nostalgia, it drapes the alternative of looking forward in so much pro-America propaganda that it overshadows what should have been the show's primary point. The October 10, 1962 review of the series in Variety observes, "Wired for sentimentality and moral lessons, it ought to get the endorsement of parent-teacher groups and others seeking wholesomeness in prime-time television". It goes on to note its stiff competition on the TV schedule and says it might fare better as a 30-minute program. The review closes out by saying that Kelly and Carroll are well-cast but that the plot is a might thin. Also noted is that Kelly gets a chance to show off his dancing prowess in a scene at a party given for Fitzgibbon--but this is the only dancing sequence with Kelly in the series' 1962 episodes.

What isn't mentioned in this review is the waste of Dick York's talent, not only in the initial episode but throughout the first 13 installments. Fresh off a lauded performance in Inherit the Wind, York is here cast as boys club owner Tom Colwell, a boyhood friend of the O'Malley character, whose main function in the series seems to be chauffeuring O'Malley around the city. His character is never at the center of any of the plots, and we get no back story about who he is or why he is doing what he is.

Nevertheless, the series does a decent job in focusing largely on dysfunctional family dynamics that the priests are called in to help settle, making this something of a family counseling show, or a nonscientific Eleventh Hour. With one exception, religion is never laid on too thick; in fact, the dilemmas handled by the priests could just as easily be handled by a secular counselor. In both "The Crooked Angel" (October 10, 1962) and "A Matter of Principle" (November 21, 1962) a disgruntled father drives his talented son to behave badly as a way to vicariously make up for his own past deficiencies. In the former episode, young Eddie Slade is a talented singer who resorts to petty theft as a result of his bar-owner father's forcing him to regularly settle the accounts of a math-challenged bookie who is a bar patron. In the latter episode, talented basketball player Frank Murphy is driven by his common laborer father to arrogantly play only for himself so that he can one day make a lot of money as a professional, then settle into a cushy corporate spokesperson job to make up for his father's lack of success in the business world. "Like My Own Brother" (November 7, 1962) portrays two brothers who clashed in their youth because the younger one was always getting into trouble, only now he has become a huge success in real estate and has returned to avenge his elder brother's strictness by turning his own family against him. O'Malley decides that the only way to break through their animosity against one another is to allow them to box it out at Colwell's gym. "The Father" (October 24, 1962) depicts a Spanish immigrant widower father who is bullied by his overly repressive sister into restricting his daughter from any kind of social life, thereby driving her to run away and nearly fall into the hands of a sexual predator. "Ask Me No Questions" (December 5, 1962) tells the tale of a young boy who resorts to stealing from the church poor box as a way to bring his divorced father back from California and hopefully bring his estranged parents back together, while "Not Good Enough for Mary" (November 14, 1962), shows a brother who disapproves of his sister's construction-worker fiance and does his best to sabotage their romance merely because of social snobbery.

Then there are the three unlikely stories about career criminals who eventually repent the errors of their ways when they are made to see the effect their transgressions have on their families. "Mr. Second Chance" (November 28, 1962) centers around a career racketeer who tries to spend his way back into his ex-wife's good graces so that he will be allowed to attend his daughter's upcoming wedding. In "Keep an Eye on Santa Claus" (December 12, 1962) recently released ex-con Honus Shamroy nearly slips back into his thieving ways just at Christmas time until O'Malley figures out what he is up to and shames him into calling off a store heist to spare his daughter and grandson the embarrassment of yet another lockup. Finally, in "A Saint for Mama" (December 26, 1962), mobster kingpin Tony Laurentino has to give up his life of keeping two mistresses and a lavish life built on criminal proceeds after his mother takes ill and announces she wants to die unless he reforms. It's rare to find so many tender-hearted long-time criminals willing to give up their very identity for the approval of their family members, but on Going My Way the Lord works in mysterious ways. However, even these implausible stories are fairly well done and have more grit than the many overly sentimental sit-coms of the era, such as My Three Sons, Hazel, and The Donna Reed Show.

But there are still two episodes from 1962 that are worthy of unmitigated censure. "A Man for Mary" (October 31, 1962) is a blatantly chauvinistic story about a young woman whose attractiveness causes all men to fight over her but is completely unaware of her charms. She is likewise clueless that she has no talent as an actress, her chosen profession, and that her proper place is becoming the wife of a no-nonsense widower with three children who is not overwhelmed by her physical appearance. But worst of all is "A Dog for Father Fitz" (December 19, 1962) in which not only does housekeeper Mrs. Featherstone come off as a dog hater after a parishioner bestows a dog on Father Fitzgibbon as a gift, but after Fitzgibbon finds a new home for the dog with a young boy who is a student at the parish school, the dog runs away from the boy's family rural retreat and winds up being struck and killed by a truck only a block from the church. Matters only get worse when the boy requests that a Mass be said for his dead dog, as both Fitzgibbon and O'Malley explain that in their religion dogs do not have souls and therefore cannot go to heaven, that they are put on earth only to serve man, who in turn serves God. The boy winds up being appeased by having his dog buried in front of a statue in the church courtyard, supposedly a place of honor, but airing this episode less than a week before Christmas to hammer home the point that all dogs do not go to heaven must have alienated dog owners and animal advocates everywhere, regardless of religious denomination. Though Dick York and others have cited the other shows airing at the same time as the reason for the series' demise (the show apparently fared better in summer reruns when it was pitted against lesser competition), it's hard to imagine how it could have survived after an episode like "A Dog for Father Fitz."

The main theme and scores for individual episodes for Going My Way were composed by Cyril Mockridge, who is profiled in the 1960 post on Laramie.

The complete series has been released on DVD by Timeless Media Group.

The Actors

Gene Kelly

Eugene Curran Kelly was born in Pittsburgh on August 12, 1912, the son of a phonograph salesman who served as Al Jolson's road manager in the 1920s. At the age of 8 his mother enrolled him, his brother James, and his sisters in dance classes, which subjected him to bullying and name-calling as a sissy, prompting him to give it up until he was 15. By then Kelly had developed physically as an athlete and could better defend himself, but his real dream was to play shortstop for the Pittsburgh Pirates. Nevertheless, his early hazing clearly influenced his creative drive to develop and promote a masculine style of dance. After graduating high school at age 16, he enrolled at Penn State to study journalism but was forced to drop out during the crash of 1929 to help support his family. He and younger brother Fred developed dance routines to enter talent contests, thus beginning his life-long career as a dance choreographer. In 1931 he enrolled at Pittsburgh University and earned a degree in economics while also performing in theatrical musicals with the Cap and Gown Club, for which he also served as director from 1934-38. During this period his family opened a pair of dance schools which they named after him and for which he was an instructor. He briefly attended law school at Pitt but dropped out after two months and decided to shift his focus in dance to performance rather than teaching. In 1937 he decided to move to New York to seek work as a choreographer but was unsuccessful and returned to Pittsburgh in 1938 to choreograph and appear in a local theatrical production of Hold Your Hats. For the next few years he moved back and forth between New York and Pittsburgh, making his Broadway debut as a dancer behind Mary Martin in Leave It to Me! and then being spotted by Robert Alton in one of his Pittsburgh productions to appear in Alton's production of One for the Money in 1939. After appearing in The Time of Your Life later that year, he got his first Broadway choreography job on Billy Rose's Diamond Horseshoe during which he met and later married cast member Betsy Blair. But he became a star when he was cast in the lead role of Pal Joey, choreographed by Alton, in 1940. Thereafter he began to get offers from Hollywood. According to Kelly years later, one of those offers came from MGM's Louis Mayer, who met him backstage and offered him a contract without a screen test, but when Kelly was contacted later by one of Mayer's assistants, he was told he would need to submit to a screen test after all. So Kelly signed instead with David O. Selznick, who did not require a screen test, but Selznick couldn't come up with the right vehicle for Kelly, so he remained sidelined until Judy Garland persuaded Arthur Freed to have MGM buy out Kelly's contract so that he could co-star with her in For Me and My Gal, Kelly's film debut in 1942. After a couple of forgettable B movie appearances, he starred opposite Lucille Ball in Du Barry Was a Lady and got to dance to his own choreography, with a mop for his partner, in Thousands Cheer. He starred with Rita Hayworth in Cover Girl in 1944, this time dancing with his reflection in a mirror, and then was given full creative rein in Anchors Aweigh in which he danced with the animated mouse Jerry of Tom & Jerry, a role that earned him an Academy Award nomination for Best Actor. Despite his employers getting him a deferment from the military draft in 1940, by 1944 that deferment was rescinded and he joined the U.S. Navy, working in their photographic department in Washington, which gave him experience writing and directing documentaries, thereby giving him another skill set he would pursue the rest of his career. When he was discharged in 1946, MGM did not have projects waiting for him, but beginning in 1948 with The Pirate, Kelly began taking a larger role in not only choreographing the dance sequences for the studio's biggest musicals but in orchestrating camera movement to properly capture the dance, a departure from earlier Fred Astaire musicals that tended to keep the camera stationary. Kelly was cast in the male lead in 1948's Easter Parade but broke his ankle playing volleyball, prompting him to persuade Astaire to come out of retirement to fill in. After teaming with Frank Sinatra a second time in Take Me Out to the Ballgame, Kelly was persuaded by Freed to direct and star in On the Town in 1949, and Kelly insisted that the assistant he had been working with for years, Stanley Donen, be given co-directing credit. On the Town was viewed at the time as an inventive breakthrough in the musical film genre. He reunited with Garland for 1950's Summer Stock, and followed this with one of his signature films, An American in Paris, in which he introduced the world to former ballerina Leslie Caron and staged an unprecedented 17-minute dance suite with her. The film won 6 Academy Awards, including Best Picture, and an Honorary Award for Kelly. And the following year he starred in and co-directed (again with Donen)in Singin' in the Rain, perhaps the most lauded film musical of all time. This was the apex of his career. After MGM sent him to Europe for 19 months to make movies that earned the studio tax exemptions, he returned to a declining market for musicals, such that Brigadoon was shot on studio back lots rather than in Scotland. MGM refused to loan him out for the film versions of Guys and Dolls and Pal Joey, the show that had made him a star on Broadway, so Kelly negotiated an end to his contract which included It's Always Fair Weather, Les Girls, and The Happy Road, none of which was a hit. In 1957 he divorced Betsy Blair and married his choreographic assistant Jeanne Coyne, who had previously been married to Donen. Kelly found a number of projects to direct and star in, including directing the hit theatrical musical Flower Drum Song, a couple of French projects, the Jackie Gleason film Gigot, and a role in the 1960 drama Inherit the Wind. On television he produced and directed the 1958 documentary Dancing Is a Man's Game in which he interpreted in dance the movements of athletes such as Sugar Ray Robinson and Mickey Mantle to promote his view of masculinity in what was often seen as an effeminate discipline. Other than a single appearance in a 1957 episode of Schlitz Playhouse, Kelly had not tried a regular TV series before signing on to play Father Chuck O'Malley in the TV adaptation of Going My Way, which faced stiff competition from The Beverly Hillbillies, The Virginian, The Many Loves of Dobie Gillis, and Perry Como on the other networks.

After Going My Way's cancelation, Kelly found his most significant work in directing in feature films such as  A Guide for the Married Man and Hello, Dolly!, which won 3 Academy Awards, but he turned down an offer to direct The Sound of Music, reportedly calling it "a piece of shit." He won an Emmy for his 1967 TV movie Jack and the Beanstalk and appeared in specials such as The Julie Andrews Show, Gene Kelly in New York, New York, and Gene Kelly and 50 Girls. He appeared as a narrator in the first two That's Entertainment films celebrating the golden days of film musicals, but also participated in a number of flops, such as directing The Cheyenne Social Club and appearing in Viva Knievel! and Xanadu. He appeared in single episodes of The Mary Tyler Moore Hour and Love Boat and had roles in the TV miniseries North & South: Book 1 and Sins in the mid 1980s, his last appearances on film. His second wife Jeanne Coyne had died in 1973, but Kelly finally married again in 1990 to Patricia Ward when he was 77 and she was 30. He suffered strokes in both 1994 and 1995, then passed away at age 83 on February 2, 1996.

Dick York

Richard Allen York was born September 4, 1928 in Fort Wayne, Indiana.  His father was a salesman, and his mother was a seamstress and later ran a beauty shop. When York was 10, the family moved to Chicago, and he says he decided to become an actor after seeing the Cecil B. DeMille film The Crusades. He was enrolled in The Jack and Jill Players acting school after a Catholic nun recognized his singing voice and sent him to a singing coach, who in turn sent him to the acting school. He landed his first professional job at age 15 taking over the lead role on The Brewster Boy radio program, a family comedy along the line of the popular Aldrich Family comedy. He then moved on to a supporting role on Jack Armstrong, All American Boy, where he first met his future wife Joan Alt, who was brought in to do a commercial. The couple married in 1951, had 5 children, and remained married until York's death. He stayed on Jack Armstrong for 6 years, but then decided to move to New York and pursue a career on the stage, initially living at the YMCA until he could become established. By 1953 he landed a role in the drama Tea and Sympathy starring Deborah and John Kerr, which led to a film contract with Columbia Pictures. He began getting rare TV guest spots in 1952 on Mr. District Attorney, followed by appearances on Omnibus, The Web, Goodyear Playhouse, Mr. Citizen, and The Philco Television Playhouse. He got his first credited feature film appearance in the 1955 comedy My Sister Eileen and followed this with roles in Three Stripes in the Sun, Operation Mad Ball, Cowboy, and The Last Blitzkrieg while also finding more frequent work on television in series such as Kraft Theatre, Studio One, Father Knows Best, and Playhouse 90. But while filming the adventure feature They Came to Cordura starring Gary Cooper, York suffered a lifelong debilitating back injury when he was in the process of pumping a railroad hand car when the director yelled "Cut!" and one of the actors on the car grabbed the handle York was in the process of lifting, thereby putting tremendous strain on his back which led to torn muscles and spinal injury (another account says that York wound up pinned beneath the hand car). Initially York did not seek out medical treatment for the injury but was determined to keep working. He would make his final movie appearance in 1960's Inherit the Wind, which also starred Gene Kelly, and was allowed by director Stanley Kramer to write his own dialogue in his first scene as school teacher Bertram Cates. At the same time he was finding more and more work on television on series such as The Millionaire, The Untouchables, The Twilight Zone, Alfred Hitchcock Presents, Dr. Kildare, Frontier Circus, and Naked City before finally landing his first recurring role as youth center proprietor Tom Colwell on Going My Way in the fall of 1962. In a later interview, York said that after filming about 25 episodes for the series, his back injury flared up and after none of the treatments seemed to work and surgery was recommended, he still returned to the show in pain only to find that Gene Kelly, also a producer for the show, had installed ramps and places that allowed him to ease himself into position for each scene, somewhat similar to the accommodations that would be required for his next TV series.

After Going My Way was canceled, York continued to find regular work guest starring on series such as Route 66, Rawhide, Wagon Train, and The Alfred Hitchcock Hour before being cast in his most memorable role as Darrin Stephens on Bewitched in 1964. York was actually third choice for the role, as the producers initially hoped to land Dick Sargent, but he had already committed to the female Navy comedy Broadside, and second choice Richard Crenna of the recently canceled Real McCoys turned down the role. But York's back condition, plus his addiction to painkillers to deal with it, made his years on the hit comedy anything but fun. The crew built slanted walls that he could lean on between takes and would sometimes have to help him just walk around the set. He powered through and was nominated for an Emmy in 1968, but during filming of the episode "Daddy Does His Thing" in Season 5, York, running a fever of 105 and feeling terrible, fell off scaffolding and had a seizure, biting a large hole in his tongue, which led to him finally having to quit the series, eventually replaced, ironically, by Sargent. He spent the next 18 month bed-ridden and drug-addled, obviously unable to work, and after that decided to quit his drug addiction cold turkey, which led to another 6 months of disorientation and hallucinations. He and his wife supported themselves first by buying an apartment building in West Covina, but they rented to the poor and indigent who couldn't always pay their rent, so they lost the building. Then they worked cleaning apartments and their sons made money selling newspapers and collecting tin cans. After ballooning to 306 pounds, York decided to go on a diet and hired a new agent, which got him guest spots on Simon & Simon in 1983 and Fantasy Island in 1984. He filmed a pilot for High School USA, but the show was not picked up for production. Then he stopped getting calls for work and belatedly discovered that his agent had failed to properly register him with the Screen Actors Guild, which effectively ended his acting career. He and his wife moved to Rockford, Michigan to take care of her ailing mother, and after the mother passed away, they continued living in her home. York decided to create a new career for himself helping the homeless, since he had experienced extreme poverty growing up during the Depression in Indiana, and founded the organization Acting for Life. Though he was confined to home since he had developed emphysema from smoking three packs of cigarettes a day all his life and now required an oxygen tank, York worked the telephones to find military and government surplus items that could benefit the poor, including clothing, mattresses, and cots, and had them shipped to shelters for the homeless. Despite his years of intense pain and suffering, York remained positive to the end, saying that he had been blessed and had no complaints. But he also said that only four of his acting jobs gave him complete artistic satisfaction: Inherit the Wind, working with Elia Kazan on Bus Stop on Broadway, an episode of Playhouse 90 with Paul Muni, and his one episode on Route 66. He passed away on February 20, 1992 at the age of 63.

Leo G. Carroll

Leo Grattan Carroll was born in Weedon Bec, Northamptonshire, England on October 25, 1886, the son of a military officer. After the family moved to New York in 1897, his father held various positions throughout the years, from foreman in an ordnance store to wine clerk to dramatic agent. Leo himself became an assistant wine merchant at age 15 when his father was a clerk, and his father's occupation as a dramatic agent coincides with Leo's first professional acting job at age 25 in a production of Rutherford and Son in which he both acted and served as stage manager. Carroll's interest in the theatre began in his school days, appearing in Gilbert & Sullivan productions as well as an appearance in Liberty Hall when he was 16. Carroll brought the production of Rutherford and Son to New York after running a year in London, and it is listed as his first Broadway appearance in 1912. He appeared in a production of Everyman on Broadway the following year before enlisting in the British Army during World War I, which saw him serving in France, Greece, and Palestine, where he was badly wounded and hospitalized for two years. Though he had once considered following his father into a military career, he resumed acting after the War in 1919 but did not make it back to Broadway until 1924 in a production of Havoc. From then on, he was a regular on The Great White Way, appearing in at least one production a year until well after he had crossed over into film. Among the highlights on the stage were Noel Coward's The Vortex (1925-26), The Perfect Alibi (1928-29), The Green Bay Tree (1933-34) with Laurence Olivier, Angel Street (1941-44) aka Gaslight, and the title role in The Late George Apley (1944-45). In 1926 he married Edith Nancy De Silva, and they had one son, William. M. Carroll. He continued appearing in Broadway productions through the mid-1950s, with the last being the short-lived Someone Waiting in 1956. His feature film debut came in 1934's Sadie McKee starring Joan Crawford, and he appeared in two more features that year--The Barretts of Wimpole Street and Outcast Lady. From then on he was a regular supporting player in several features per year, often playing authority figures, though he also played Marley's ghost in A Christmas Carol in 1937 and Joseph in Wuthering Heights in 1939. In 1940 he appeared in the first of six Alfred Hitchcock productions, the Academy Award Winner for Best Picture Rebecca. He would also appear in Suspicion(1941), Spellbound (1945), The Paradine Case (1947), Strangers on a Train(1951), and North by Northwest (1959), in which he played a spy chief named The Professor, very much like his signature TV role 5 years later. Other noteworthy feature film appearances during this period include Forever Amber (1947), Father of the Bride (1950), The Bad and the Beautiful (1952), and We're No Angels (1955). He made his first foray into television in 1949, appearing in episodes of The Chevrolet Tele-Theatre, The Philco Television Playhouse, and NBC Repertory Theatre. In 1953 he landed his first recurring TV role playing grumpy banker Cosmo Topper on Topper, starring opposite Robert Sterling and Anne Jeffreys. The series ran for 78 episodes over 2 seasons until 1955, after which Carroll began getting more TV guest spots, mostly in drama anthologies and the western The Californians. In 1961 he had supporting roles in the features The Parent Trap and One Plus One, as well as appearing on a couple of anthology TV series. He then received his second recurring TV role as mentoring priest Father Fitzgibbon on Going My Way.

After Going My Way was canceled, Carroll's output declined though he still appeared on Hazel and Channing in 1964 and the feature The Prize in 1963, but very soon he was cast in another recurring role, his most famous, as spymaster Alexander Waverly on The Man From U.N.C.L.E. in 1964. He would appear in 105 episodes over its 4-year run, as well as all the feature films cobbled together from various episodes, and when Stefanie Powers was spun off into The Girl From U.N.C.L.E., Carroll played Waverly in that series, too. He received one Emmy nomination for Best Supporting Actor for each series--for Girl in 1966 and Man in 1967. But after the U.N.C.L.E. franchise ground to a halt, Carroll would appear in only one more feature, From Nashville With Music in 1969, and a single episode of Ironside in 1970 before retiring. Two years later he died from cancer-induced pneumonia at the age of 85.

Nydia Westman

Nydia Eileen Westman was born into a show business family on February 19, 1902 in New York City. Her father Theodore Westman was an actor and composer, while her mother Lily Wren was an actress and playwright. Her brother Theodore Westman, Jr. was also an actor and author who died in 1927 at the age of 24. Nydia was part of the family act billed as Troubles of Joy until she was 21, performing across several vaudeville circuits. But she finally struck out on her own at age 22, appearing in the Broadway production of Pigs in 1924. She continued to find regular work on the stage through the rest of the decade and beyond, appearing in Two Girls Wanted (1926-27), Buckaroo (1929), Jonesy (1929), The Unsophisticates (1929-30), Ada Beats the Drum (1930), and Lysistrata (1930-31) before breaking into films in 1932, beginning with Strange Justice. Once she made the move to Hollywood, feature films and later television became her primary focus, but she continued to return to Broadway periodically into the early 1960s. However, after appearing in two different runs of The Madwoman of Chaillot in 1948-50, most of her stage productions were short lived. In 1930 she married producer Robert Sparks and had a daughter Robina Jane, who became an actress herself under the name Kate Williamson and married actor Al Ruscio, who appeared in a 1962 episode of Going My Way. By 1933 Westman was appearing in a half dozen feature films per year. Among the highlights were Manhattan Tower (1932), Little Women (1933), Ladies Should Listen (1934) with Cary Grant, Pennies From Heaven (1936) with Bing Crosby, The Cat and the Canary (1939) with Bob Hope, They All Kissed the Bride (1942) with Joan Crawford, and The Late George Apley (1947) with Ronald Colman. She dove into television in 1947 on the live New York-based sit-com Mark Kay and Johnny and appeared in over 300 episodes as Mary Kay's mother over the next three years. Thereafter in the early 1950s she appeared on many drama anthology series and occasionally on continuing series such as Martin Kane, Young Mr. Bobbin, and Colonel Humphrey Flack. Other than anthology series, work slacked off in the late 1950s and early 1960s, as she also appeared on The Phil Silvers Show and The Jim Backus Show in addition to the teen exploitation feature film Don't Knock the Twist, before landing the role of parish housekeeper Mrs. Featherstone on Going My Way in 1962.

Unlike many other older actors whose work declined after their recurring series is canceled, Westman actually found more work after the demise of Going My Way, staying very busy through the mid-1960s on series such as Route 66, Perry Mason, The Addams Family, The Alfred Hitchcock Hour, Bonanza, Ben Casey, The Donna Reed Show, The Munsters, F Troop, My Favorite Martian, and The Farmer's Daughter. The year 1966 marked a return to feature films with appearances in The Ghost and Mr. Chicken, The Chase, and The Swinger, followed by The Reluctant Astronaut in 1967. She continued finding regular TV guest spots through the late 1960s on programs such as Please Don't Eat the Daisies, That Girl, Judd for the Defense, Family Affair, Adam-12, Bewitched, and 6 appearances on Dragnet. Her last credit would be in the feature film version of John Updike's Rabbit, Run starring James Caan. She passed away from cancer at age 68 on May 23, 1970.

Mary Field

Born June 10, 1909 in New York City, Field was left as an infant on the steps of a church with a note pinned to her bassinet saying that her name was Olivia Rockefeller. After being adopted, Field attended the Brentwood Hall School in New York where she developed a skill of mimicking a Cockney accent because her parents traveled frequently, leaving her to live at the school during their absences, and while staying at the school she befriended the Cockney gardener who worked there. She signed a contract with Warner Brothers in 1937 and made her feature film debut that year in The Prince and the Pauper. While many of her appearances early in her career were uncredited, such as in the features Jezebel (1938) and The Amazing Dr. Clitterhouse (1938), she also had her share of credited parts in films such as White Banners (1938), Cowboy Form Brooklyn (1938), Society Smugglers (1939), and Dancing Co-Ed (1939). In the 1940s her more memorable roles came in Ball of Fire (1941), Miss Annie Rooney (1942), The Great Gildersleeve (1942), Song of the South (1946), Life With Father (1947), and A Song Is Born (1948), though she also had uncredited parts in noteworthy films such as The Bank Dick (1940), Dr. Jekyll and Mr. Hyde (1941), How Green Was My Valley (1941), Mrs. Miniver (1942), The Major and the Minor (1942), Now, Voyager (1942), Laura (1944), Miracle on 34th Street (1947), Dark Passage (1947), Out of the Past (1947), and Sorry, Wrong Number (1948). At some point in the 1940s she married Allan Douglas, who as of 1943 was serving in the U.S. Army Medical Corps, but the couple divorced sometime during the decade, and she remarried to James Madison Walters II and had two children. She continued her prolific feature film work in the 1950s but also moved into television beginning in 1952 on Chevron Theatre. Beginning in 1953 she played the character Thelma Gibney in 6 episodes of Topper alongside future Going My Way star Leo G. Carroll. But most of her TV appearances were guest spots, particularly on drama anthologies. She continued finding work in feature films such as The Lady Wants Mink (1953), Four Guns to the Border (1954), The Private War of Major Benson (1955) in which she played a nun, To Hell and Back (1955), The Price of Fear (1956), Ride a Crooked Trail (1958), and Seven Ways From Sundown (1960). Besides her work on TV drama anthologies, she also appeared on City Detective, The Millionaire, Whirlybirds, Sally, Bachelor Father, Wagon Train, and Gunsmoke. She played the character Cathy Marion in four episodes of the serial The Swamp Fox on The Magical World of Disney in 1959-60. But after appearing as Sister Agnes in 6 episodes of Going My Way in 1962-63, she retired from film acting. She lived in Laguna Niguel, California and was active in the Hollywood Church of Religious Science, but after her husband died in 1982, she moved in with her daughter Susana Kerstein and son-in-law Bob Kerstein in Fairfax, Virginia, where she died from a stroke at the age of 87 on June 12, 1996.

Notable Guest Stars

Season 1, Episode 1, "Going Back to Ballymora": Will Kuluva  (shown on the left, played Charlie Kingman on Primus) plays pawnbroker Mr. Remplevich. Robert Emhardt (Mackenzie Cory on Another World, Sgt. Vinton on The Kids From C.A.P.E.R., and Willard Masefield on The Edge of Night) plays undertaker Joe Feeney. Russell Collins (appeared in Niagara, Bad Day at Black Rock, and Fail-Safe and played Owen Sharp on Many Happy Returns) plays parishioner Barney O'Dowd. Argentina Brunetti (appeared in It's a Wonderful Life, The Great Caruso, and The 7 Faces of Dr. Lao and played Filomena on General Hospital) plays market owner Mrs. Severino. Lauren Gilbert (appeared in X-15, The Unsinkable Molly Brown, and The Fortune Cookie and played John Olcott on Fairmeadows, U.S.A., Tom Craythorne on Love of Life, Harry Lane on The Edge of Night, and Harry Noll on Hazel) plays physician Dr. Warnake.

Season 1, Episode 2, "The Crooked Angel": Dennis Olivieri (see the biography section for the 1960 post on The Betty Hutton Show) plays 8th grade pupil Eddie Slade. Ralph Meeker (shown on the right, starred in The Naked Spur, Kiss Me Deadly, Paths of Glory, and The Dirty Dozen and played Sgt. Steve Dekker on Not for Hire) plays his father Jack. Willard Parker (appeared in A Slight Case of Murder, Hunt the Man Down, Sangaree, and Kiss Me Kate and played Ranger Jace Pearson on Tales of the Texas Rangers) plays Fitzgibbon's superior Monsignor Giblin. Phyllis Love (appeared in So Young, So Bad, Friendly Persuasion, and The Young Doctors) plays Eddie's teacher Sister Mary Matthew. Ralph Manza (Al Bonacorsi on The D.A.'s Man, Mike Costello on General Hospital, Jay Drury on Banacek, Ambulance Aide Stanke on A.E.S. Hudson, Padre Guardiano on Mama Malone, Bud on Newhart, and Father Lewis on Days of Our Lives) plays bookie Charlie. J. Pat O'Malley (see the biography section for the 1961 post on Frontier Circus) plays bar patron Healy. Herbie Faye (Cpl. Sam Fender on The Phil Silvers Show, Waluska on The New Phil Silvers Show, and Ben Goldman on Doc) plays another bar customer. Frank Sully (Danny the bartender on The Virginian) plays a golf course attendant.

Season 1, Episode 3, "The Parish Car": Gary Vinson (shown on the left, see the biography section for the 1962 post on McHale's Navy) plays car thief Bruce Randall. Virginia Christine (see the biography section for the 1961 post on Tales of Wells Fargo) plays his mother. Harry Lauter (Ranger Clay Morgan on Tales of the Texas Rangers, Atlasande on Rocky Jones, Space Ranger, and Jim Herrick on Waterfront) plays his father Frank. Ken Lynch (see the biography section for the 1961 post on Checkmate) plays police officer Lt. Harris. Barry Kelley (starred in The Asphalt Jungle, The Manchurian Candidate, and The Love Bug and played Charlie Anderson on Big Town, Jim Rafferty on The Tom Ewell Show, Mr. Slocum on Pete and Gladys, and Carol's father on Mister Ed) plays his boss Capt. Donovan. Peter Leeds (Tenner Smith on Trackdown and George Colton on Pete and Gladys) plays a police patrolman. Raymond Bailey (see the biography section for the 1961 post on The Many Loves of Dobie Gillis) plays roofing contractor Rudy Blanchard. Hugh Sanders (appeared in That's My Boy, The Pride of St. Louis, The Winning Team, and The Wild One) plays his assistant Murray Cranston. Jerome Cowan (starred in Shall We Dance, Victory, High Sierra, The Maltese Falcon, Miracle on 34th Street and many Blondie movies and played Collins on Not for Publication and John Larsen on The Tab Hunter Show) plays used car salesman Tim Murphy. Johnny Eimen (Monk on McKeever and the Colonel) plays young gawker Tim Wheelen.

Season 1, Episode 4, "The Father": Arnold Moss (shown on the right, appeared in Kim, Viva Zapata!, The 27th Day, and Gambit and played David Henson on The Edge of Night) plays strict Spanish immigrant father Mr. Fernandez. Victoria Vetri (appeared in Kings of the Sun, Chuka, Rosemary's Baby, and Invasion of the Bee Girls) plays his teenage daughter Carmel. Douglas Lambert (Eddie Weeks on General Hospital and Walter Schiff on Inside Story) plays smooth operator Randy Simpson. Paul Langton (Leslie Harrington on Peyton Place) plays a bus station masher. Cliff Norton (appeared in McHale's Navy Joins the Air Force, The Ghost and Mr. Chicken, and The Russians Are Coming! The Russians Are Coming! and played Boss on It's About Time and Isaac Meyer on General Hospital) plays a talkative cab driver. Harry Ellerbe (appeared in So Red the Rose, The Magnetic Monster, Desk Set, and House of Usher) plays a bus station passenger. Dennis McCarthy (Dr. Sam Hodges on Cimarron City) plays a policeman at the bus station. Kitty Kelly (Ellen on The New Loretta Young Show) plays the Fernandez's neighbor.

Season 1, Episode 5, "A Man for Mary": Anne Francis (shown on the left, starred in Bad Day at Black Rock, Forbidden Planet, Don't Go Near the Water, and The Love God? and played Honey West on Honey West and Arliss Cooper on Dallas) plays aspiring actress Mary Dunne. Gerald S. O'Loughlin (appeared in A Hatful of Rain, Cop Hater, In Cold Blood, Ice Station Zebra, and The Valachi Papers and played Peter Banas on The Doctors, Lt. Carl Wyatt on The Guiding Light, Lt. Ed Ryker on The Rookies, Capt. E.G. Boyd on Automan, and Joe Kaplan on Our House) plays shoe shop owner Joe Bianchi. Judy Strangis (Helen Loomis on Room 222 and was the voice of Dyna Girl on Electra Woman and Dyna Girl, Merilee on Butch Cassidy, Rota Ree on Wheelie and the Chopper Bunch, Goldie Gold on Goldie Gold and Action Jack, and Pauline on Donkey Kong) plays his daughter Maria. George Kennedy (starred in Charade, The Sons of Katie Elder, The Dirty Dozen, Cool Hand Luke, and The Naked Gun and played MP Sgt. Kennedy on The Phil Silvers Show, Father Samuel Cavanaugh on Sarge, Bumper Morgan on The Blue Knight, and Carter McKay on Dallas) plays one of Bianchi's boarders Mike Lewis. Robert Strauss (appeared in Stalag 17, The Bridges at Toko-Ri, The Seven Year Itch, The Man With the Golden Arm, and Girls! Girls! Girls! and played Sgt. Stan Gruzewsky on Mona McCluskey) plays boarder Curt Meyers. Connie Gilchrist (starred in Tortilla Flat, A Letter to Three Wives, and Long John Silver and played Purity Pinker on The Adventures of Long John Silver) plays Mary's landlord Mrs. Riordan. John Harmon (played hotel clerk Eddie Halstead on The Rifleman) plays modeling school owner Bruno Martin.

Season 1, Episode 6, "Like My Own Brother": Harry Morgan (shown on the right, starred in The Ox-Bow Incident, High Noon, Inherit the Wind, How the West Was Won, and The Apple Dumpling Gang and played Pete Porter on December Bride and Pete and Gladys, Seldom Jackson on Kentucky Jones, Bill Gannon on Dragnet 1967, H.M. Stafford on The D.A., Doc Amos B. Coogan on Hec Ramsey, Col. Sherman T. Potter on M*A*S*H and AfterMASH, Leonard Blacke on Blacke's Magic, and Martin Vanderhof on You Can't Take It With You) plays Postal Service supervisor Al Everett. Paula Winslowe (Martha Conklin on Our Miss Brooks) plays his wife Anne. Paul Carr (Bill Horton on Days of Our Lives, Casey Clark on Voyage to the Bottom of the Sea, Dr. Paul Summers on The Doctors, Ted Prince on Dallas, and Martin Gentry on The Young and the Restless) plays his son Jerry. Melinda Casey (Linda Kelly on The George Burns and Gracie Allen Show and Abby Chapman on Peyton Place) plays his daughter Jane. Eddie Bracken (starred in Star Spangled Rhythm, The Miracle of Morgan's Creek, Hail the Conquering Hero, Duffy's Tavern, Summer Stock, and Home Alone 2: Lost in New York and played Father Burke on Winnetka Road) plays his estranged brother Danny. Anthony Spinelli (Ensign Tubbs on Captain Video and His Video Rangers) plays Everett's co-worker Jack Marcus.

Season 1, Episode 7, "Not Good Enough for Mary": Angela Clarke (appeared in The Great Caruso, The Harlem Globetrotters, House of Wax, and The Interns) plays bread-maker matriarch Mama Cipollaro. Al Ruscio (Paul Locatelli on Shannon, Sal Giordano on Life Goes On, Frank Ruscio on Joe's Life, and Kosta Kanelos on Port Charles) plays her son Jimmy. Virginia Vincent (shown on the left, see the biography section for the 1961 post on The Joey Bishop Show) plays her daughter Mary. Jack Warden (starred in From Here to Eternity, 12 Angry Men, and Run Silent, Run Deep and played Matt Gower on The Asphalt Jungle, Major Simon Butcher on The Wackiest Ship in the Army, Lt. Mike Haines on N.Y.P.D., Morris Buttermaker on The Bad News Bears, and Harry Fox, Sr. on Crazy Like a Fox) plays construction worker Carl Wiczinski. Anne Barton (Nan Fry on Big Town) plays Jimmy's wife Lois. Mike Ragan (makeup artist under the name Holly Bane on General Hospital, Barney Miller, and Fish) plays a truck driver.

Season 1, Episode 8, "A Matter of Principle": Peter Helm (younger brother of actress Anne Helm) plays arrogant basketball star Frank Murphy. Fred Clark (shown on the right, appeared in Sunset Blvd., A Place in the Sun, How to Marry a Millionaire, and Dr. Goldfoot and the Bikini Machine, and played Harry Morton on The George Burns and Gracie Allen Show, Dr. Roy Clyburn on The Beverly Hillbillies, and Chief Gerald B. Hannahan on The Double Life of Henry Phyfe) plays his father John. Virginia Gregg (starred in Dragnet, Crime in the Streets, Operation Petticoat and was the voice of Norma Bates in Psycho, Maggie Belle Klaxon on Calvin and the Colonel, and Tara on Space Stars) plays his mother Margaret. Charla Doherty (Julie Olson on Days of Our Lives) plays his girlfriend Harriet Hall. Simon Scott (John Riggs on Markham, Gen. Bronson on McHale's Navy, Chief Barney Metcalf on Mod Squad, and Arnold Slocum on Trapper John, M.D.) plays probation officer Larry Raymond. George Furth (appeared in The Best Man, How to Save a Marriage and Ruin Your Life, Butch Cassidy and the Sundance Kid, Myra Breckenridge, Blazing Saddles, and Oh, God! and played Ensign Beasley on Broadside, Dwayne Whitt on Tammy, Frederic Steele on The Dumplings, and Judge Binghampton on The Trials of Rosie O'Neill) plays St. Dominic's student Lester. Kip King (voice of Shecky on The Biskitts and played Ronald Sandler on Charlie & Co. and Tailor Smurf on The Smurfs) plays his friend Joey. Brad Morrow (Louie on The Adventures of Spin and Marty) plays Jewish temple basketball manager Robert Stern.

Season 1, Episode 9, "Mr. Second Chance": Dan Duryea (shown on the left, starred in The Little Foxes, The Pride of the Yankees, Scarlet Street, and Winchester '73 and played China Smith in China Smith and The New Adventures of China Smith and Eddie Jacks on Peyton Place) plays racketeer Harold Harrison. Dorothy Green (appeared in The Big Heat, Face of a Fugitive, It Happened at the World's Fair, and Tammy and the Millionaire and played Lavinia Tate on Tammy and Jennifer Brooks on The Young and the Restless) plays his estranged wife. Maggie Pierce (Barbara Crabtree on My Mother the Car) plays his daughter Marilyn. Steven Terrell (Tom on The Pride of the Family) plays Marilyn's fiance Tony. Ross Elliott (see the biography section for the 1962 post on The Virginian) plays jewelry store embezzler Ken Hamlin. Willis Bouchey (Mayor Terwilliger on The Great Gildersleeve, Springer on Pete and Gladys, and the judge 23 times on Perry Mason) plays his boss Bill Fleming. Frankie Darro (starred in The Mayor of Hell, Wild Boys of the Road, Little Men, and played Robbie the Robot in Forbidden Planet) plays an elevator operator.

Season 1, Episode 10, "Ask Me No Questions": Roger Mobley (Homer "Packy" Lambert on Fury) plays St. Dominic's student Miles Corbin. Joanne Linville (Amy Sinclair on The Guiding Light) plays his mother Nora. Kevin McCarthy (shown on the right, starred in Death of a Salesman, Invasion of the Body Snatchers (1956 & 1978), The Misfits, and Hotel and played Philip Hastings on The Survivors, Claude Weldon on Flamingo Road, Zach Cartwright on Amanda's, George Hayward on Bay City Blues, and Lucas Carter on The Colbys) plays his father Ray. Nestor Paiva (Theo Gonzales on Zorro) plays business owner Mr. Osborne.

Season 1, Episode 11, "Keep an Eye on Santa Claus": James Dunn (Oscar winner who starred in Society Girl, Stand Up and Cheer!, Bright Eyes, and A Tree Grows in Brooklyn and played Earl Morgan on It's a Great Life) plays ex-con Honus Shamroy. Cloris Leachman (shown on the left, starred in The Last Picture Show, Charley and the Angel, Dillinger, and Young Frankenstein and played Effie Perrine on Charlie Wild, Private Detective, Ruth Martin on Lassie, Rhoda Kirsh on Dr. Kildare, Phyllis Lindstrom on Mary Tyler Moore, Rhoda, and Phyllis, Beverly Ann Stickle on The Facts of Life, Mrs. Frick on The Nutt House, Emily Collins on Walter & Emily, Grammy Winthrop on Thanks, Dot Richmond on The Ellen Show, Ida on Malcolm in the Middle, Maw Maw on Raising Hope, and Mrs. Mandelbaum on Mad About You) plays daughter Karen Murdock. Steve Brodie (see the biography section for the 1960 post on The Life and Legend of Wyatt Earp) plays her husband Fred. Bill Mumy (Will Robinson on Lost in Space, Weaver on Sunshine, and Lennier on Babylon 5) plays their son Mark. Frank McHugh (appeared in The Front Page, The Crowd Roars, One Way Passage, A Midsummer Night's Dream, Going My Way, and State Fair and played Willis Walter on The Bing Crosby Show) plays safe cracker William Jennings Depew. Ken Lynch (see "The Parish Car" above) returns as police officer Lt. Harris. Henry Hunter (Doctor Summerfield on Hazel) plays department store floorwalker Dawson. Katie Sweet (Peggy Dayton on Bonanza and Tina Dearborn on Hank) plays a little girl on Santa's lap.

Season 1, Episode 12, "A Dog for Father Fitz": Dennis Rush (Howie Pruitt on The Andy Griffith Show) plays 9-year-old St. Dominic's student Terry Donnely. Forrest Lewis (shown on the far right, played Mr. Peavey on The Great Gildersleeve) plays abused husband Mr. Carter. Marie Blake (shown on the near right, appeared in Love Finds Andy Hardy, Li'l Abner, and Mourning Becomes Electra, played Sally the receptionist in 14 Dr. Kildare and Dr. Gillespie features, and played Nurse Tacky on Dr. Hudson's Secret Journal and Grandmama on The Addams Family) plays his wife. Phyllis Love (see "The Crooked Angel" above) returns as Sister Mary Matthew. Kenneth MacDonald (played the judge 32 times on Perry Mason, played Col. Parker on Colt .45, and appeared in several Three Stooges shorts) plays a sea captain parishioner. Norman Leavitt (Ralph on Trackdown) plays milkman Joe. George Wallace (see the biography section for the 1961 post on The Life and Legend of Wyatt Earp) plays a truck driver. Robert B. Williams (see the biography section for the 1962 post on Hazel) plays a policeman.

Season 1, Episode 13, "A Saint for Mama": Richard Conte (appeared in A Walk in the Sun, 13 Rue Madeleine, Call Northside 777, Ocean's 11, and Lady in Cement and played Jeff Ryder on The Four Just Men) plays mob boss Tony Laurentino. Renata Vanni (appeared in Pay or Die!, A Patch of Blue, and Fatso and played Rose Brentano on That Girl) plays his mother. Bert Remsen (Detective Lawrence on Peyton Place, Mr. Pell on Gibbsville, Mario on It's a Living, and Jack Crager on Dynasty) plays henchman Charlie. Garry Walberg (Police Sgt. Sullivan on Johnny Staccato, Sgt. Edward Goddard on Peyton Place, Speed on The Odd Couple, and Lt. Frank Monahan on Quincy M.E.) plays henchman Pete. Beverly Garland (shown on the left, played Casey Jones on Decoy, Ellis Collins on The Bing Crosby Show, Barbara Harper Douglas on My Three Sons, Dorothy "Dotty" West on Scarecrow and Mrs. King, Ellen Lane on Lois & Clark: The New Adventures of Superman, and Ginger on 7th Heaven) plays Tony's mistress Marsha Bennett. Lisa Gaye (Collette DuBois on The Bob Cummings Show and Gwen Kirby on How to Marry a Millionaire) plays Tony's other girlfriend Rosa Pavone. Bart Burns (Capt. Pat Chambers on Mike Hammer) plays a police detective.